Revisiting Molloy, Malone meurt / Malone dies and L'innommable / the unnamable /
Clasificación: | Libro Electrónico |
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Otros Autores: | , , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Rodopi,
2014.
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Colección: | Samuel Beckett today/aujourd'hui ;
26. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title; Copyright; TABLE OF CONTENTS / TABLE DES MATIÈRES; REVISITING MOLLOY, MALONE MEURT / MALONEDIES AND L'INNOMMABLE / THE UNNAMABLE; INTRODUCTION"NO ONE WANDERS UNPUNISHED":Revisiting Molloy, Malone meurt / Malone Dies andL'Innommable / The Unnamable; THE OBIDIL AND THE MAN OF GLASS:Denarration, Genesis and Cognition in Beckett'sMolloy, Malone Dies and The Unnamable; BECKETT'S TRILOGY ON THE THIRDPROGRAMME; APPENDIX: Beckett's Trilogy on the Third
- Amendmentsand Music; BECKETT'S TRILOGY AND THE DEATHSOF (AUTO)BIOGRAPHICAL FORM; ON MEDIUMSHIP AND VOICES IN THETRILOGY.
- "GRÂCE AUX EXCRÉMENTS DES CITOYENS":Beckett, Swift and the Coprophagic Economy of Ballyba"I CAN MAKE NOTHING OF IT":Beckett's Collaboration with Merlin on theEnglish Molloy; CHANGED MODALITIES IN MALONE DIES:Putting Sapo in His Place; BECKETT'S INQUESTS:Malone Dies and the Mysteries of the State; "I, OF WHOM I KNOW NOTHING":Biblical Echoes in Samuel Beckett's L'Innommableand The Unnamable; SUFFERING FICTION IN THE UNNAMABLE; WHERE NOW?Beckett, Duthuit and The Unnamable; GRESSION, REGRESSION, AND BEYOND:A Cognitive Reading of The Unnamable; "SO LITTLE IN DOUBT?":Revisiting The Unnamable.
- A BIBLIOGRAPHY OF ANGLOPHONECRITICAL WORKS ON MOLLOY, MALONEDIES, AND THE UNNAMABLEBIBLIOGRAPHIE DES TEXTES EN FRANÇAISSE RAPPORTANT A LA PREMIÈRETRILOGIE DE SAMUEL BECKETT; FREE SPACE; MABOU MINES'S STAGING OF IMAGINATIONDEAD IMAGINE REVISITED:Ruth Maleczech, Samuel Beckett, andHolographic Visualization; PLAY / COMÉDIE, COME AND GO /VA-ET-VIENT, FOOTFALLS / PAS DE BECKETTOU LE VA-ET-VIENT DE LA PONCTUATIONENTRE DEUX LANGUES; STAYING ON THE SURFACE:Figures of Repetition in Beckett's Postwar Trilogy; NOTES ON CONTRIBUTORS.