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Breaking time's arrow : experiment and expression in the music of Charles Ives /

Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives'...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McDonald, Matthew (Matthew James) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Ind. : Indiana University Press, Ã2014.
Ã2014
Colección:Musical meaning and interpretation.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Breaking time's arrow :  |b experiment and expression in the music of Charles Ives /  |c Matthew McDonald. 
260 |a Bloomington, Ind. :  |b Indiana University Press,  |c Ã2014. 
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490 1 |a Musical meaning and interpretation 
504 |a Includes bibliographical references (pages 179-185) and index. 
505 0 |a God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music. 
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520 |a Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style. 
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600 1 0 |a Ives, Charles,  |d 1874-1954  |x Criticism and interpretation. 
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