Joseph Beuys : the Reader.
Joseph Beuys is one of the most legendary figures of twentieth century art and his work and ideas continue to impact on artists today. An enigmatic, self-styled 'shaman', strikingly memorable in his trademark hat and jerkin, he has attained almost mythical status. This reader brings togeth...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Otros Autores: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
London :
I.B. Tauris,
2007.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; About the Author; Title Page; Copyright; Contents; List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I. Beuys and his 'Challengers'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3. Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II. Critics' Perspectives; 5. Beuys: The Twilight of the Idol (1980).
- 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt)7. Joseph Beuys, or the Last of the Proletarians (1988); III. Beuys and the Limits of Iconography; 8. Beuys and Romanticism (1986, excerpt); 9. No to ... Joseph Beuys (1997); IV. Beuys, Art and Politics; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt).
- 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt)13. Überblick Series on the Parliamentary Election (1983, excerpt); V. Beuys and Postmodernism; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-François Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI. Issues of Reception.
- 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt)19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997); Appendix: Key Dates and Exhibitions.