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|a The Routledge companion to dramaturgy /
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|a Abingdon, Oxon ;
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|c ©2015
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|a 1 online resource (xxxiii, 533 pages)
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|a Routledge companions
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Part I. World dramaturgy in the twenty-first century -- Part II. Dramaturgy in the age of globalization -- Part III. Dramaturgy in motion : demolitions, definitions, and demarcations -- Part IV. Dramaturgs as artistic leaders and visionaries : privileges and responsibilities of the office -- Part V. Dramaturg as mediator and context manager : transculturalism, translation, adaptation, and contextualization -- Part VI. Dramaturgy among other arts : interdisciplinarity, transdisciplinarity, and transvergence -- Part VII. Dramaturg as systems analyst : dramaturgy of postdramatic structures -- Part VIII. Dramaturg as public relations manager : immersions, talkbacks, lobby displays, and social networks.
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520 |
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|a Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of ""play making."" Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend prev.
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|a Theater
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|a Romanska, Magda,
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