Ring shout, wheel about : the racial politics of music and dance in North American slavery /

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"In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Thompson, Katrina Dyonne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana [Illinois] : University of Illinois Press, 2014.
Colección:New Black studies series.
Temas:
Enslaved persons > Southern States > Songs and music.
Enslaved persons > United States > Social life and customs.
Race in the theater > United States > History.
Theater and society > United States > History.
African American dance > History.
Slavery > United States > Justification.
Plantation life > United States.
Racism in popular culture > United States > History.
Esclaves > États-Unis (Sud) > Chants et musique.
Esclaves > États-Unis > Mœurs et coutumes.
Race au théâtre > États-Unis > Histoire.
Théâtre et société > États-Unis > Histoire.
Danses noires américaines > Histoire.
Esclavage > États-Unis > Justification.
Vie dans les plantations > États-Unis.
Racisme dans la culture populaire > États-Unis > Histoire.
SOCIAL SCIENCE > Ethnic Studies > African American Studies.
PERFORMING ARTS > Dance > General.
HISTORY > United States > 19th century.
SOCIAL SCIENCE > Customs & Traditions.
African American dance
Plantation life
Race in the theater
Racism in popular culture
Slavery > Justification
Enslaved persons
Enslaved persons > Social life and customs
Theater and society
Southern States
United States
Electronic book.
History
Songs and music
Acceso en línea:Texto completo

MARC

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100 1 |a Thompson, Katrina Dyonne,  |e author. 
245 1 0 |a Ring shout, wheel about :  |b the racial politics of music and dance in North American slavery /  |c Katrina Dyonne Thompson. 
264 1 |a Urbana [Illinois] :  |b University of Illinois Press,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (257 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a New Black Studies Series 
500 |a Includes index. 
588 0 |a Print verison record. 
504 |a Includes bibliographical references and index. 
505 0 |a The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on. 
520 |a "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"--  |c Provided by publisher 
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650 0 |a Enslaved persons  |z Southern States  |v Songs and music. 
650 0 |a Enslaved persons  |z United States  |x Social life and customs. 
650 0 |a Race in the theater  |z United States  |x History. 
650 0 |a Theater and society  |z United States  |x History. 
650 0 |a African American dance  |x History. 
650 0 |a Slavery  |z United States  |x Justification. 
650 0 |a Plantation life  |z United States. 
650 0 |a Racism in popular culture  |z United States  |x History. 
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650 6 |a Esclaves  |z États-Unis  |x Mœurs et coutumes. 
650 6 |a Race au théâtre  |z États-Unis  |x Histoire. 
650 6 |a Théâtre et société  |z États-Unis  |x Histoire. 
650 6 |a Danses noires américaines  |x Histoire. 
650 6 |a Esclavage  |z États-Unis  |x Justification. 
650 6 |a Vie dans les plantations  |z États-Unis. 
650 6 |a Racisme dans la culture populaire  |z États-Unis  |x Histoire. 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x General.  |2 bisacsh 
650 7 |a HISTORY  |z United States  |y 19th century.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Customs & Traditions.  |2 bisacsh 
650 7 |a African American dance  |2 fast 
650 7 |a Plantation life  |2 fast 
650 7 |a Race in the theater  |2 fast 
650 7 |a Racism in popular culture  |2 fast 
650 7 |a Slavery  |x Justification  |2 fast 
650 7 |a Enslaved persons  |2 fast 
650 7 |a Enslaved persons  |x Social life and customs  |2 fast 
650 7 |a Theater and society  |2 fast 
651 7 |a Southern States  |2 fast 
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655 7 |a History  |2 fast 
655 7 |a Songs and music  |2 fast 
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776 0 8 |i Print version:  |a Thompson, Katrina Dyonne.  |t Ring shout, wheel about : the racial politics of music and dance in North American slavery.  |d Urbana, [Illinois] : University of Illinois Press, ©2014  |h x, 242 pages  |k New Black studies.  |z 9780252038259 
830 0 |a New Black studies series. 
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