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Film Style and the World War II Combat Genre.
Film Style and the World War II Combat Genre is a detailed examination of the stylistic means by which filmmakers depict stories of combat. The work furthers contemporary discussions by analyzing a range of World War II combat films to a degree of detail which has previously escaped critical attenti...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bender, Stuart. | |
| 245 | 1 | 0 | |a Film Style and the World War II Combat Genre. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2013. | ||
| 300 | |a 1 online resource (343 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a LIST OF TABLES; PREFACE AND ACKNOWLEDGEMENTS; PART I: THEORY, CRITICISM, AND COMBAT FILM STYLE; CHAPTER ONE -- INTRODUCTION ; CHAPTER TWO -- CRITICISM AS A PRACTICE; CHAPTER THREE -- ALTERNATIVE FILM STUDIES; CHAPTER FOUR -- QUENTIN TARANTINO''S INGLOURIOUS BASTERDS (2009); PART II: STYLE IN THE WW2 COMBAT FILMS OF THE 1940s AND 2000s; INTRODUCTION TO PART TWO ; CHAPTER FIVE -- EDITING OR MISE-EN-SCENE; CHAPTER SIX -- CINEMATOGRAPHY; CHAPTER SEVEN -- SOUND; CHAPTER EIGHT -- THE PERFORMANCE AND REPRESENTATION OF DEATH IN COMBAT; PART III: REALISM, STYLE, AND THE IMAGINATION. | |
| 505 | 8 | |a Introduction to part threechapter nine -- getting the shot -- chapter ten -- "i'll see you on the beach"; chapter eleven -- conclusion; notes; list of films and video games cited; bibliography; index. | |
| 520 | |a Film Style and the World War II Combat Genre is a detailed examination of the stylistic means by which filmmakers depict stories of combat. The work furthers contemporary discussions by analyzing a range of World War II combat films to a degree of detail which has previously escaped critical attention. This substantial examination of cinematography, sound, editing and acting in a range of movies including Saving Private Ryan, Windtalkers, Bataan, and Objective Burma! demonstrates the importan ... | ||
| 504 | |a Includes bibliographical references (pages 307-327) and index. | ||
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a World War, 1939-1945 |x Motion pictures and the war. | |
| 650 | 6 | |a Guerre mondiale, 1939-1945 |x Cinéma et guerre. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a War and motion pictures |2 fast | |
| 647 | 7 | |a World War |d (1939-1945) |2 fast |0 (OCoLC)fst01180924 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBbhpRH9XvjbDFXtxhb | |
| 648 | 7 | |a 1939-1945 |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Bender, Stuart. |t Film Style and the World War II Combat Genre. |d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2013 |z 9781443843362 |
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