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Poetic force : poetry after Kant /

This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McLaughlin, Kevin, 1959- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, California : Stanford University Press, 2014.
Colección:Meridian (Stanford, Calif.)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McLaughlin, Kevin,  |d 1959-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJhCM8Yph9B87FT8VHGCQq 
245 1 0 |a Poetic force :  |b poetry after Kant /  |c Kevin McLaughlin. 
264 1 |a Stanford, California :  |b Stanford University Press,  |c 2014. 
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490 1 |a Meridian, crossing aesthetics 
504 |a Includes bibliographical references and index. 
505 0 |a Ur-ability : force and image from Kant to Benjamin -- Hölderlin's peace -- Poetic reason of state : Baudelaire and the multitudes -- Arnold's resignation -- Epilogue : making room for reason. 
588 0 |a Print version record. 
520 |a This book argues that the theory of force elaborated in Immanuel Kant's aesthetics (and in particular, his theorization of the dynamic sublime) is of decisive importance to poetry in the nineteenth century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential nineteenth-century writers in their respective national traditions: Friedrich H. 
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600 1 0 |a Kant, Immanuel,  |d 1724-1804  |x Influence. 
600 1 7 |a Kant, Immanuel,  |d 1724-1804  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJwmW8rQhgGKyX4rvgdPcP 
650 0 |a Poetry, Modern  |y 19th century  |x History and criticism. 
650 0 |a Aesthetics, Modern  |y 20th century. 
650 0 |a Philosophy, Modern  |y 20th century. 
650 6 |a Esthétique  |y 20e siècle. 
650 6 |a Philosophie  |y 20e siècle. 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Composition & Creative Writing.  |2 bisacsh 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Rhetoric.  |2 bisacsh 
650 7 |a REFERENCE  |x Writing Skills.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a Aesthetics, Modern  |2 fast 
650 7 |a Influence (Literary, artistic, etc.)  |2 fast 
650 7 |a Philosophy, Modern  |2 fast 
650 7 |a Poetry, Modern  |2 fast 
648 7 |a 1800-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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830 0 |a Meridian (Stanford, Calif.) 
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