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|a Georgi, Claudia,
|d 1979-
|e author.
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|a Liveness on stage /
|c by Claudia Georgi.
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|a Berlin :
|b De Gruyter Mouton,
|c 2014.
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|a CDE Studies,
|x 2194-9069 ;
|v Volume 25
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|a Includes bibliographical references and index.
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|a CIP data; item not viewed.
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|a Theatre is traditionally considered a live medium but its 'liveness' is increasingly challenged by other media. This book explores how theatre performances that incorporate film or video self-reflexively stage their own liveness. Combining theoretical insight with close analysis of productions by leading companies of intermedial performance, this monograph appeals to scholars and practitioners of theatre, performance and intermediality.
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|a Acknowledgements -- Introduction -- 1 (Inter-)Mediality -- 1.1 The Medium -- 1.2 Intermediality -- 2 Drama, Theatre and (Inter-)Mediality -- 2.1 Theatre versus Drama -- 2.2 Theatre and Technological Media -- 3 Mediation, Mediatisation and Liveness -- 3.3 Mediation and Mediatisation -- 3.4 What Lies Beyond Mediation and Mediatisation? -- 4 Liveness on Stage -- 4.1 Spatio-Temporal Co-Presence -- 4.2 Ephemerality and Uniqueness -- 4.3 Unpredictability, Imperfection and Risk of Failure -- 4.4 Interaction and Participation -- 4.5 Representation of Reality -- Conclusion -- Works Cited -- Index of Performances -- General Index.
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|a Theater
|z Great Britain
|x History
|y 21st century.
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|z Great Britain.
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|a Experimental theater
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|a 2000-2099
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|i has work:
|a Liveness on stage (Text)
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