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Experiencing rhythm : contemporary Malagasy music and identity /

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Fuhr, Jenny (Autor, Actor), Manana, Erick (Compositor, Músico)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Experiencing rhythm :  |b contemporary Malagasy music and identity /  |c by Jenny Fuhr. 
264 1 |a Newcastle upon Tyne, UK :  |b Cambridge Scholars Publishing,  |c 2013. 
300 |a 1 online resource (vii, 195 pages) :  |b illustrations 
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500 |a DVD includes nine sound examples and eight video examples. DVD video examples performed variously by Erick Manana, guitar, voice, percussion, hand clapping (Examples 1-7) ; Jenny Fuhr, violin, voice, flute, hand clapping (Examples 1-7) ; Donné Randriamanantena, hand clapping, flute, percussion (Examples 2-4, 7) ; Titi Razakamiadana, hand clapping, saxophone (Examples 2-3, 7) ; Solofo Nomenjanahary Andriambao, hand clapping, accordion (Examples 2-3, 7) ; Kolibera Ranaivoarison, guitar (Examples 3, 7) ; Beriliva Rasoavatsara, valiha (Examples 3, 7) ; Nini Ranaivonirina, bass guitar (Examples 3, 7) ; Sata Andriamahatony, percussion (Examples 3, 7) ; Passsy Rakotomalala, valiha (Examples 4-5, 8) ; Hery Andrianasolo, bass guitar (Example 4) ; Rija Randrianivosoa, guitar (Example 5) ; Dina Rakotomanga, acoustic bass (Example 5) ; Rivo Ratsafindramanitra, percussion (Example 5). 
505 0 |a DVD sound examples: 1. Example of jijy -- 2. Interview with Hajazz -- 3. Interview with Sammy -- 4. Interview with Ricky -- 5. Interview with Rakotomavo -- 6. Interview with Rakotomavo -- 7. Interview with Rajery -- 8. Interview with Samy -- 9. Interview with Rakotomavo. 
505 0 |a DVD video examples. 1. Ny 2CV an-dRandria [title appears in credits as 2CV-dRandria] / music/text, Erick Manana. CD Erick Manana & Jenny (2013), track 1, artists' own production. Video clip realised by Bernd Leideritz, Berlin, May, 2011. The song is a tribute to Madagascar's witty and resourceful taxi drivers and the creative and optimistic Malagasy attitude to life -- 2. Example [of] hand clapping. Filmed during a rehearsal/preparation for an intercultural music workshop, organised by the "Stiftung Berliner Philharmoniker" (education programme), DVD Erick Manana & Jenny (2011): Ny 2CV an-d, Berlin, May 2013. Improvised singing, such as jijy, is often accompanied by hand clapping. In this example, we rehearse a typical rhythm from Northern Madagascar. 
505 8 |a 3. Extract from Ilay tany niaviako / music/text: Erick Manana. DVD Erick Manana & Jenny (2011): Ny 2CV an-dfRandria. Live, Track 3. Antananarivo : MiRitsoka Production. Filmed at the CCESCA in Antananarivo, June 2011 -- 4. Fofompofony ihany sisa / music/text, Erick Manana. CD Erick Manana & Jenny (2013): Ny 2CV an-dRandria, Track 9, artists' own production. Filmed at Studio Hesat, Pessac, France, Dec. 2012. A song about the complexity of love; once a relationship ends, there is no way of return. It is thus preferable to part in joy and good humour. 
505 8 |a 5. Bitika / music/text, Erick Manana. Filmed at the Olympia Music Hall in Paris, France, Nov. 2009 -- 6. Tsofy rano / music/text, Erick Manana. Filmed at the Conservatoire de musique in Montréal, Canada, April 2010. A song that expresses the wish that Madagascar will alleviate its poverty and hardship -- 7. O rakoto / music/text, Erick Manana. DVD Erick Manana & Jenny (2011): Ny 2CV an-dRandria. LIVE, track 11. Antananarivo : MiRitsoka Production, 2011. Filmed at the CCESCA in Antananarivo, Madagascar, June 2011. A song that pays homage to sodina player Rakoto Frah, who died in 2011-- 8. Valiha playing. Filmed during a rehearsal in Berlin, May 2013. 
504 |a Includes bibliographical references (pages 181-193) and index. 
588 0 |a Print version record. 
520 8 |a Annotation  |b How is "rhythm" experienced? What role does "rhythm" play in musicians' search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, "the footprint between Africa and Asia," with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the island's musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of "rhythm" in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology 
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650 0 |a Musical meter and rhythm  |z Madagascar. 
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