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Meeting places : locating desert consciousness in performance /

Over the period 1999-2005, choreographer and dancer Tess de Quincey and a team of international artists conducted a series of art-laboratories and performances in and around the Central Desert town of Alice Springs. These art-labs culminated in the 2005 performance of Dictionary of Atmospheres, stag...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, Mary Elizabeth (Assistant professor) (Autor)
Otros Autores: Bergshoeff, Aart Jan (Diseñador de portada)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam, Netherlands : Rodopi, 2014.
Colección:Consciousness, literature & the arts ; 40.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Anderson, Mary Elizabeth  |c (Assistant professor),  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjCPHp9PcvX8trwVKcTY6C 
245 1 0 |a Meeting places :  |b locating desert consciousness in performance /  |c Mary Elizabeth Anderson ; Aart Jan Bergshoeff, cover design. 
264 1 |a Amsterdam, Netherlands :  |b Rodopi,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (146 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Consciousness, Literature & the Arts,  |x 1879-6044 ;  |v 40 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource; tittle from PDF title page (ebrary, viewed June 26, 2014). 
505 0 |a Cover; Title Page; Copyright Page; Contents; Acknowledgments; Prologue. Dream/Archive: The Australian Central Desertas Generative Environment; Chapter One. Dream Disrupted: Figuring the DisplacedThing in Dictionary of Atmospheres; Chapter Two. Spectacular Failures: Site-Specific FestivalPerformance as a Problem-Idea; Chapter Three. De Quincey in Alice: Transposing Place inthe Central Desert; Epilogue. Stretching Time, Writing 'Groundless Forms ofMeaning': Inviting an Aporetic Consciousness of Reflectioninto Performance's Aftermath; Bibliography; Index. 
520 |a Over the period 1999-2005, choreographer and dancer Tess de Quincey and a team of international artists conducted a series of art-laboratories and performances in and around the Central Desert town of Alice Springs. These art-labs culminated in the 2005 performance of Dictionary of Atmospheres, staged during the Alice Desert Festival. Drawing upon practice-based research conducted while interning with de Quincey during the development and staging of Dictionary of Atmospheres, Anderson contemplates the way in which moments from the production illustrate the artist's approach to and articulation. 
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655 7 |a History  |2 fast 
700 1 |a Bergshoeff, Aart Jan,  |e cover designer. 
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