Theopoetry of the Psalms /
In Theopoetry of the Psalms Cas J.A. Vos explores the beauty of the Psalms and examines their meaning within the context of exegesis, homiletics and poetry. By investigating the structure, literary genre, history and theology of the Psalms he traces the ways in which they continue to be relevant to...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
London :
T & T Clark International,
2005.
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Edición: | First international edition, first impression. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; CONTENTS; A FEW NOTES ON THE PSALMS; ENDORSEMENTS; I. THE PSALMS AS BOOK OF LIFE; II. THE PSALMS AS A VOLUME OF POETRY; 1. Approaches to the psalms; 1.1 The form-critical approach; 1.2 The cultic approach; 1.3 The historical, literary and receptive approach; 2. Theopoetry; 3. A chaplet of poetry; 4. Reservations expressed about the Psalter; 5. The psalms as part of the Bible; 6. The composition of the Psalter; 7. Psalm titles; III. HERMENEUTICAL AND HOMILETICAL BRIDGES; 1. A rich harvest of poems; 1.1 Literary genres of the psalms; 2. Interpretations of psalms in concrete terms.
- 2.1 Interpretation of the psalms2.2 Psalms in concrete terms; 3. Introductory psalms in the Psalter; 3.1 Psalm 1; 3.2 Psalm 2; 4. Laments and psalms of thanksgiving; 5. Individual laments; 5.1 Psalm 13; 5.2 Structure; 5.3 Interpretation; 5.4 Literary genre; 5.5 Context within which the psalm originated; 5.6 Tradition history; 5.7 Message; 6. Torah psalms; 6.1 Psalm 19; 7. Psalms of trust; 7.1 Psalm 23; 7.2 Psalm 90; 8. Entrance liturgies; 8.1 Psalm 24; 9. Wisdom psalms; 9.1 Psalm 73; 9.2 The compassionate twins; 9.3 Psalm 139; 10. Royal psalms; 10.1 Psalm 99; 10.2 Psalm 100.
- 11. Creation psalms11.1 Psalm 104; 12. Pilgrimage psalms; 12.1 Psalm 121; 13. Imprecatory psalms; 13.1 Psalm 137; 14. Psalms of praise; 14.1 Songs of praise (tehillim); 14.2 Psalm 150; IV. A HOMILETICAL PERSPECTIVE ON THE PSALMS; 1. A contextual approach; 1.1 The experiential word; 1.2 Art as a window on the experiential world; 1.3 With a view to the listener; 1.4 The liturgical situation; 2. A hermeneutic-communicative approach; 2.1 Hermeneutic processes; 2.2 Communication processes; 3. Messages of salvation; 3.1 A Christological perspective on the psalms?; 3.2 The range of salvation.
- 4. The structure of the psalms5. The texture of the psalms; 6. Sermons as a work of art; 7. Sermon structure; 7.1 Introduction; 7.2 Dynamic development; 7.3 Conclusion; 8. Types of sermons; 9. Guidelines for writing sermons; 10. The texture of a sermon; 10.1 Language as imaginative power; 10.2 The metaphorical landscape; 10.3 The functions of metaphors; 10.4 Linguistic acts; 11. The posture of a sermon; 12. Imaginative sermons; 12.1 Editing; V. PSALMS IN LITURGY; 1. Bridging function of psalms; 2. Interpretation of psalms in the New Testament; 3. Influence of psalms on liturgy.
- 4. Psalms as a reader5. Psalms as a prayer book; 6. Psalms as a book of meditation; 7. Psalms as a book of songs; 8. Psalms as hymns; 9. Liturgy as a creative process; 10. Psalms tuned into liturgy; 11. Psalms as liturgical acts; 11.1 Introit psalm; 11.2 Votum; 11.3 Benediction; 11.4 Glory to God; 11.5 Prayers; 11.6 Law; 11.7 Confession of guilt; 11.8 Exoneration; 11.9 Scripture reading and sermon; 11.10 Prayer; 11.11 Votive offering; 11.12 A song of reply; 11.13 Abenediction; 12. A last note; 13. A sermon; Psalm 134: ''Come Bless the Lord, may the Lord Bless you.''; BIBLIOGRAPHY.