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Free jazz/Black power /

In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote 'Free Jazz/Black Power', a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Carles, Philippe (Autor), Comolli, Jean-Louis (Autor)
Otros Autores: Pierrot, Grégory (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Francés
Publicado: Jackson : University Press of Mississippi, [2015]
Colección:American made music series.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Free jazz/Black power.  |l English 
245 1 0 |a Free jazz/Black power /  |c by Philippe Carles and Jean-Louis Comolli ; translated by Grégory Pierrot. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2015] 
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504 |a Includes bibliographical references, discography and index. 
588 0 |a Online resource; title from digital title page (viewed on January 12, 2015). 
505 0 |a Not a black problem, but a white problem. Jazz today ; Economic ownership of jazz ; Cultural colonization ; The blind task of criticism -- Notes on a black history of jazz. Three preliminary remarks ; What the blues say ; Black music before jazz ; In the margins of jazz history -- Contradictions of jazz in a state of freedom. Free fragments ; Music/Politics. 
520 8 |a In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote 'Free Jazz/Black Power', a treatise on the racial and political implications of jazz and jazz criticism. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. Carles and Comolli set out to defend a genre vilified by jazz critics on both sides of the Atlantic by exposing the new sound's ties to African American culture, history, and the political struggle that was raging in the early 1970s. This analysis of jazz criticism and its production is astutely self-aware. It critiques the critics, building a work of cultural studies in a time and place where the practice was virtually unknown. 
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650 0 |a Jazz  |x History and criticism. 
650 0 |a Free jazz  |x History and criticism. 
650 0 |a African Americans  |x History  |y 1964- 
650 0 |a Jazz  |x Social aspects. 
650 6 |a Free jazz  |x Histoire et critique. 
650 6 |a Noirs américains  |x Histoire  |y 1964- 
650 7 |a MUSIC  |x Genres & Styles  |x Jazz.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Black Studies (Global)  |2 bisacsh 
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650 7 |a Free jazz  |2 fast 
650 7 |a Jazz  |2 fast 
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