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Meyerbeer's Les Huguenots : an Evangel of Religion and Love.
On 29 February 1836, Les Huguenots, a grand opera by Giacomo Meyerbeer (1791-1864), with words by Eugène Scribe (1791-1861) and Émile Deschamps (1791-1871), was performed for the first time, at the Paris Opéra. It was to be one of the most successful productions ever staged at the Opéra, with 1,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge Scholars Publishing,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Letellier, Robert Ignatius. | |
| 245 | 1 | 0 | |a Meyerbeer's Les Huguenots : |b an Evangel of Religion and Love. |
| 260 | |b Cambridge Scholars Publishing, |c 2014. | ||
| 300 | |a 1 online resource | ||
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| 520 | |a On 29 February 1836, Les Huguenots, a grand opera by Giacomo Meyerbeer (1791-1864), with words by Eugène Scribe (1791-1861) and Émile Deschamps (1791-1871), was performed for the first time, at the Paris Opéra. It was to be one of the most successful productions ever staged at the Opéra, with 1,126 performances in Paris over the next hundred years, and, in the process, breaking all box office records. It became Meyerbeer's most popular work, with thousands of stagings throughout the world. L ... | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a LIST OF FIGURES; LIST OF MUSICAL EXAMPLES; INTRODUCTION; 1. THE ORIGINS; 2. THE PLOT; 3. THE SOURCES; 4. THE RELIGIOUS SYMBOLISM; 5. THE DRAMATURGY; 6. THE LEADING THEMES; 7. INSTRUMENTAL WRITING; 8. FORMAL INNOVATION; 9. THE TREATMENT OF THE CHORUS; 10. THE BLESSING OF THE DAGGERS; 11. THE LOVE DUET; 12. THE DRAMATIC FORM OF ACT 5; 13. THE ORCHESTRAL MUSIC; 14. RECEPTION HISTORY; 15. PERFORMING TRADITIONS; 16. PERFORMANCE IN THE TWENTIETHCENTURY; 17. THE ICONOGRAPHY; 18. HISTORICAL APPENDICES; NOTES; BIBLIOGRAPHY; GENERAL INDEX. | |
| 546 | |a English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Meyerbeer, Giacomo, |d 1791-1864 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Meyerbeer, Giacomo, |d 1791-1864. |t Huguenots. |
| 600 | 1 | 7 | |a Meyerbeer, Giacomo, |d 1791-1864 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbGYh6k7hdtrH7QvYHt8C |
| 630 | 0 | 7 | |a Huguenots (Meyerbeer, Giacomo) |2 fast |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
| 650 | 7 | |a Romantic music (c 1830 to c 1900) |2 bicssc | |
| 650 | 7 | |a Opera. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |z 9781306858885 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1707007 |z Texto completo |
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