Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour /

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Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams examines tours by British and American authors, including Frederick Douglass, Harriet Beeche...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Adams, Amanda, 1977-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Burlington, VT : Ashgate, 2014.
Colección:Ashgate series in nineteenth-century transatlantic studies.
Temas:
1800-1899
Authors, American > 19th century > Travel > England.
Authors, English > 19th century > Travel > United States.
American literature > 19th century > Appreciation > England.
English literature > 19th century > Appreciation > United States.
Lectures and lecturing > United States.
Lectures and lecturing > England.
Authorship > Marketing.
Écrivains américains > 19e siècle > Voyages > Angleterre.
Écrivains anglais > 19e siècle > Voyages > États-Unis.
Littérature américaine > 19e siècle > Appréciation > Angleterre.
Littérature anglaise > 19e siècle > Appréciation > États-Unis.
Conférences > États-Unis.
Conférences > Angleterre.
Art d'écrire > Marketing.
LITERARY CRITICISM > American > General.
American literature > Appreciation
Authors, American > Travel
Authors, English > Travel
Authorship > Marketing
English literature > Appreciation
Lectures and lecturing
England
United States
Acceso en línea:Texto completo

MARC

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245 1 0 |a Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour /  |c by Amanda Adams. 
264 1 |a Burlington, VT :  |b Ashgate,  |c 2014. 
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490 1 |a Ashgate Series in Nineteenth-Century Transatlantic Studies 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: In person: the nineteenth-century transatlantic lecture tour -- Seen and not heard: the transatlantic tours of Harriet Martineau and Harriet Beecher Stowe -- Performing ownership: Dickens, Twain, and copyright on the transatlantic stage -- Apostles in the flesh: Arnold, Wilde, and the reproduction of personality in America -- The voice of the master: Henry James and the paradox of performance -- Conclusion: Performing authorship beyond the nineteenth century. 
588 0 |a Print version record. 
520 |a Expanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams examines tours by British and American authors, including Frederick Douglass, Harriet Beecher Stowe, Harriet Martineau, Charles Dickens, and Oscar Wilde, arguing that these tours were a central aspect of nineteenth-century authorship at a time when authors were becoming celebrities and celebrities were international. 
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650 0 |a Lectures and lecturing  |z United States. 
650 0 |a Lectures and lecturing  |z England. 
650 0 |a Authorship  |x Marketing. 
650 6 |a Écrivains américains  |y 19e siècle  |x Voyages  |z Angleterre. 
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650 6 |a Art d'écrire  |x Marketing. 
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