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Adaptation theory and criticism : postmodern literature and cinema in the USA /
Exploring Hollywood feature films as well as small studio productions, this text explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Bloomsbury Publishing,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Chapter 1.
- Modernism
- Postmodernism and Origin
- Intertextual Play in Adaptation Theory
- Chapter 2.
- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts
- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation
- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts
- Chapter 3.
- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby
- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York
- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby
- Chapter 4.
- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing
- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals
- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE
- Chapter 5.
- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring
- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania
- 5.2 Snow White's Offspring: The Hyper-Palimpsest
- Conclusion
- Works Cited
- Index