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|a Slethaug, Gordon.
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|a Adaptation theory and criticism :
|b postmodern literature and cinema in the USA /
|c Gordon E. Slethaug.
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|a Postmodern literature and cinema in the United States of America
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|a New York ;
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|b Bloomsbury Publishing,
|c 2014.
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Exploring Hollywood feature films as well as small studio productions, this text explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before, and some that have received lesser consideration.
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|a Introduction -- Chapter 1. -- Modernism -- Postmodernism and Origin -- Intertextual Play in Adaptation Theory -- Chapter 2. -- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts -- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation -- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts -- Chapter 3. -- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York -- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby -- Chapter 4. -- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing -- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE -- Chapter 5. -- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring -- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania -- 5.2 Snow White's Offspring: The Hyper-Palimpsest -- Conclusion -- Works Cited -- Index
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|a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
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|a ProQuest Ebook Central
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|a Postmodernism (Literature)
|z United States.
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|a Postmodernism
|z United States.
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|a Motion pictures
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|a Postmodernisme (Littérature)
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|a Postmodernisme
|z États-Unis.
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|a Cinéma
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|a Literary theory.
|2 bicssc
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|a Films, cinema.
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|a LITERARY CRITICISM
|x American
|x General.
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|a Criticism, interpretation, etc.
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|i has work:
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|i Print version:
|a Slethaug, Gordon E.
|t Adaptation Theory and Criticism.
|d London : Bloomsbury Publishing, 2014
|z 9781623560287
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