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|a 9789401210836
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|a 10.1163/9789401210836
|2 DOI
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|a Öztürk, Maya Nanitchkova.
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|a Corporeality :
|b emergent consciousness within its spatial dimensions /
|c Maya Nanitchkova Öztürk.
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|a Amsterdam :
|b Editions Rodopi,
|c 2014.
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|a 1 online resource (236 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a Consciousness, Literature and the Arts,
|x 1879-6044 ;
|v 39
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|a Print version record.
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|a Cover; Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Elusive Space to The Generative Potential of The Corporeal; Corporeality: Discreet Experience Taking Form; Re-Constructing Material Space: Perception, Experience, and The Emergent; Contextualization: Theatre as The Case of Study; Theatre as epitome of the social; Theatre and consciousness; Theatre and the controversial status of physical space; Spatial Form as Site of Emergence; Method, Structure and Organization of The Book.
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|a Part One Re-Thinking Corporeality: Space Between Theoretical Obscurity and Generative PotentialChapter One The 'Lived': from 'Body' to The Body with Space; Space and Space-Body Relations in Terms of The Body; 'Body' and 'Embodiment'; The Body-Subject as Social Phenomenon; The Expressive Body in Social Practice and Interaction; Spatial Contexts of Identity and The Social; 'Incorporation'; The Body within The Systems of the Material World; Resistance and Assimilation as Transformative Forces; 'Space as Event' Versus 'Static' Space; Immediate Experience and The Body.
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|a 'The Prformative'- Generation of SpaceThe 'Distracted' as Productive Mode; The Explorative Modality of Sensation: The Body as a Perceptual System; Corporeal Reverberations: The Body with Space; Chapter Two. From 'Lved Space' and 'Experience' to The Materiality of Experience; From Space to The Body-The Problematic of Built form 81; 'Lived Space'; The Social Production of Space: Experience Versus Perception; The 'Porous' and 'Relational' Space of Material Practice; Fluid Ontology and Alternative Practices; Productive Materiality; Experience; Establishing a Shared World.
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|a Phenomenological Polarities: The Sensing SelfReaching OutThe Process of The Correlation: Encounter, Reverberation, and The Emergent; Movement; Corporeal Contact-A Source of Emergence; The 'Induced': 'Feeling' as Constructive Mental Process; Built Physical Space: A Shared Experiential Framework; Theoretical Foundations; Conceptual Tools for an Analytical Approach; Part Two Corporeal Constructions: Theatre as Context and Case of Inquiry; Chapter Three. Contextualizing Corporeality: Theatre Space Between Mediation and Generation of Experience.
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|a Theatre as Spatial Context of Coherence: Embedding the Theatrical, The Aesthetic, The Social and The ImmediateSpace and Its 'Theatrical' Problems: Site and Scene inDiscourse and Practice; Space 'In' Performance: The Theatrical Work; Theatrical Functions of Space; Theatre Experience-Mediated and Immediate; Space 'For' Performance: The Theatre Monument; Building for the Performing Arts; Theatre as Spatial Type; Architectural Means: EnhancingTheatre Experience; Recovering Experiential Charge; Ritual Practice and Sites of Affect; Re-Tracing Affect Through Space.
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|a The Theatre Mode of Spatial Organization: An Analytical Framework.
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|a Corporeality: Emergent consciousness within its spatial dimensions develops our understanding of what we can experience through our bodies in relation to the space around us. Rather than considering architecture as being about manifestation and mediation of fixed meanings, the book focuses instead on architectural space as a field that envelopes us incessantly, intimately, and affectively. We are in immediate contact with that space, and the way we relate to it determines how we are able to grasp the realities of the social and material worlds around us. This enquiry considers architectural spa.
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|a Includes bibliographical references and index.
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546 |
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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1 |
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|a Broad, C. D.
|q (Charlie Dunbar),
|d 1887-1971
|x Criticism and interpretation.
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|a Broad, C. D.
|q (Charlie Dunbar),
|d 1887-1971
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJrRfRBWWy9Hv9jFfJcByd
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|a Consciousness.
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|a Memory (Philosophy)
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|a Perception (Philosophy)
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|a Consciousness
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|a Conscience.
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|a Mémoire (Philosophie)
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|a Perception (Philosophie)
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|a perception.
|2 aat
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|a PHILOSOPHY
|x History & Surveys
|x General.
|2 bisacsh
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|a PHILOSOPHY
|x History & Surveys
|x Modern.
|2 bisacsh
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|a Consciousness
|2 fast
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|a Memory (Philosophy)
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|a Perception (Philosophy)
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Öztürk, Maya Nanitchkova.
|t Corporeality.
|d Amsterdam : Editions Rodopi, 2014
|z 9789042038387
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830 |
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|a Consciousness, literature & the arts ;
|v 39.
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1686951
|z Texto completo
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