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Dramatic monologue /
The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monol...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
2003.
|
| Colección: | New critical idiom.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Byron, Glennis, |d 1955- |1 https://id.oclc.org/worldcat/entity/E39PBJxRxh3qgqJ3wBfyxrmw4q | |
| 245 | 1 | 0 | |a Dramatic monologue / |c Glennis Byron. |
| 260 | |a London ; |a New York : |b Routledge, |c 2003. | ||
| 300 | |a 1 online resource (vi, 167 pages) | ||
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| 490 | 1 | |a The new critical idiom | |
| 504 | |a Includes bibliographical references (pages 150-154) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Title; Copyright; Contents; SERIES EDITOR'S PREFACE; ACKNOWLEDGEMENTS; 1 Introduction; 2 Definitions; Setting the terms of the debate; Poet and speaker; Reader and auditor; Character and subject; Changes in the canon; 3 Origins; The influence of genre theory; Reacting to the Romantics; Contemporary theories of poetry; Self in the broader context; An alternative theory; 4 Men and women; Women's voices; The critique of gender ideology; Men's voices; The gendered dynamics of self and other; Cross-gendered monologues; The monologue in dialogue; 5 Victorian developments. | |
| 505 | 8 | |a The question of styleThe historical consciousness; Questions of epistemology; Social critique; 6 Modernism and its aftermath; The decline of the genre?; An alternative view; Sixties revival; 7 Contemporary dramatic monologues; The dramatic monologue and society; Revisionist dramatic monologues; Dramatic monologues and the media; GLOSSARY; BIBLIOGRAPHY; INDEX. | |
| 520 | |a The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genr. | ||
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| 650 | 0 | |a English poetry |x History and criticism. | |
| 650 | 0 | |a Dramatic monologues |x History and criticism. | |
| 650 | 0 | |a American poetry |x History and criticism. | |
| 650 | 6 | |a Poésie anglaise |x Histoire et critique. | |
| 650 | 6 | |a Monologues dramatiques (Poésie) |x Histoire et critique. | |
| 650 | 6 | |a Poésie américaine |x Histoire et critique. | |
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| 650 | 7 | |a American poetry |2 fast | |
| 650 | 7 | |a Dramatic monologues |2 fast | |
| 650 | 7 | |a English poetry |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Byron, Glennis, 1955- |t Dramatic monologue. |d London ; New York : Routledge, 2003 |z 130671754X |
| 830 | 0 | |a New critical idiom. | |
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