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The intimate act of choreography /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Blom, Lynne Anne, 1942-1993 (Autor), Chaplin, L. Tarin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Pittsburgh, Pennsylvania : University of Pittsburgh Press, [1982]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Blom, Lynne Anne,  |d 1942-1993,  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJbM46vDkY3F9vJfkMvJXd 
245 1 4 |a The intimate act of choreography /  |c Lynne Anne Blom and L. Tarin Chaplin. 
264 1 |a Pittsburgh, Pennsylvania :  |b University of Pittsburgh Press,  |c [1982] 
264 4 |c ©1982 
300 |a 1 online resource (251 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
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505 0 |a Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index. 
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