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|a Shary, Timothy,
|d 1967-
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|a Generation multiplex :
|b the image of youth in American cinema after 1980 /
|c by Timothy Shary ; foreword by Stephen Tropiano ; afterword by Catherine Driscoll.
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|a Revised edition.
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|a Austin :
|b University of Texas Press,
|c 2014.
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|c ©20
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|a 1 online resource
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|a text
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Foreword (Stephen Tropiano); Preface; Acknowledgments; 1. Introduction: The Cinematic Image of Youth; Social Representation and Genre Theory; The Study of Youth, In and Out of Movies; 2. Youth in School: Academics and Attitude; Contexts and Trends in the Subgenre; School Kids; Transforming the Nerd; Delinquents and Their Avenues of Anger; Resisting Rebels; The Labor of Being Popular; The Sensitive Athlete; Conclusion; 3. Delinquent Youth: Having Fun, on the Loose, in Trouble; Contexts and Trends in the Subgenre; Delinquent Styles; Deviant Dancing; Natural Encounters; tough Girls.
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|a Crime Until 1999Crime after Columbine; Conclusion; 4. The Youth Horror Film: Slashers and the Supernatural; Contexts and Trends in the Subgenre; Horror Stories; The Slasher/Stalker Film; Supernatural Movies; Conclusion; 5. Youth Romance: Falling in Love and the Fallout of Sex; Contexts and Trends in the Subgenre; From Adolescent Ardor to Juggling Gender; Family Matters; Proms; Losing Virginity; Being Queer; Pregnancy; Conclusion; 6. Conclusion: Youth Cinema into a New Century; Afterword: Imagine Becoming Someone (Catherine Driscoll); Appendix A. Filmography of Youth Films, 1980-2013.
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|a Appendix B. Subjective Superlative ListsNotes; Bibliography; Index.
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|a Generation Multiplex (2002) was the first comprehensive study of the representation of teenagers in American cinema since David Considine's Cinema of Adolescence in 1985. This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres--school, delinquency, horror, and romance--Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything . . . , Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga, and The Hunger Games. Analyzing developments in teen films since 2002, Shary covers such topics as the increasing availability of movies on demand, which has given teens greater access to both popular and lesser-seen films; the recent dominance of supernatural and fantasy films as a category within the genre; and how the ongoing commodification of teen images in media affects real-life issues such as school bullying, athletic development, sexual identity, and teenage pregnancy.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Youth in motion pictures.
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|a Motion pictures
|z United States.
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|a Jeunesse au cinéma.
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|a Cinéma
|z États-Unis.
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|a PERFORMING ARTS
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|a PERFORMING ARTS / Film & Video / History & Criticism
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|a Motion pictures
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|a Youth in motion pictures
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|i has work:
|a Generation multiplex (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGFp4vQ3RmxCkVtRrRFjhb
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Shary, Timothy, 1967-
|t Generation multiplex.
|b Revised edition
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|w (OCoLC)856647639
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