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McCarthy and the Coens.

This book offers an original perspective on the narrative in the film and the novel No Country for Old Men, it also gives a good account on the issue of fidelity that plays an important role in the analysis of the relationship between the film adaptation and its source text, observing whether the Co...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Vicaka, Inese
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hamburg : Diplomica Verlag, 2014.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • McCarthy and the Coens: The Novel versus the Film No Country for Old Men; Table of Contents; INTRODUCTION; 1. LITERATURE REVIEW; 1.1 Cormac McCarthy and the Coen brothers; 1.2 Screen adaptation; 1.3 Narratalogy:overview; 1.4 Relationship of film and literary narrative; 1.5 Time-space narrative; 1.6 The western genre in text and film; 2. FILM ADAPTATION
  • RE-IMAGINING A LITERARY NARRATIVE; 2.1 Intertextuality; 2.2 Fidelity of film adaptation; 3. LITERARY AND FILM NARRATIVE AS A MACROSTRUCTURE; 3.1 Narration and a narrator; 4. NARRATIVE PERSPECTIVE; 4.1 Focalization in literary narrative
  • 4.2 Focalization in film narrative5. TIME-SPACE NARRATIVE IN LITERATURE AND CINEMA; 5.1 Visual regime and narrative rhythm; 5.2 On the frontiers of mise-en-scène; 6. HISTORY AND CONVENTIONS OF THE WESTERN GENRE; 6.1 Iconographic elements of the western; 6.2 Gender roles in the western genre; 7. ADAPTATION OF THE FILM NO COUNTRY FOR OLD MEN; 7.1 Transfer of the intertexts; 7.2 Fidelity to the source text; 8. NARRATIVE CONSTRUCTION IN NO COUNTRY FOR OLD MEN -THE NOVEL AND THE FILM; 8.1 The narration and the narrators; 8.2 The narrative perspective and the characters
  • 9. FOCALIZATION IN NO COUNTRY FOR OLD MEN9.1 Focalization in the novel; 9.2 Focalization in the film; 10. NARRATIVE TIME AND SPACE IN NO COUNTRY FOR OLD MEN; 10.1 Mise-en-scène at work; 10.2. Visual regime in the film; 11. GENRE AND GENDER IN NO COUNTRY FOR OLD MEN; 11.1 The iconographic elements of the genre; 11.2 Gender roles in the genre; CONCLUSIONS; THESES; SOURCES; APPENDIX