The life and afterlives of Hanabusa Itchō, artist-rebel of Edo /

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Miriam Wattles recounts the making of Hanabusa Itcho¿¿ (1652-1724), painter, haikai-poet, singer-songwriter, and artist subversive, in The Life and Afterlives of Hanabusa Itcho¿¿, Artist-Rebel of Edo . Translating literary motifs visually to encapsulate the tensions of his time, many of Itcho¿¿¿́¿s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wattles, Miriam (Autor)
Otros Autores: Hanabusa, Itchō, 1652-1724
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2013.
Colección:Japanese visual culture ; v. 10.
Temas:
Hanabusa, Itchō, > 1652-1724.
Hanabusa, Itchō, > 1652-1724
Artists > Japan > Biography.
Artistes > Japon > Biographies.
BIOGRAPHY & AUTOBIOGRAPHY > Artists, Architects, Photographers.
ART > History > General.
Artists
Japan
Biographies
Biographies.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The Life and Afterlives of Hanabusa Itchō, Artist-Rebel of Edo; Dedication; Contents; Preface; INTRODUCTION; Peak Generational Moments; Legend and Biography; School and Genre; Itchō as Haiga Artist; Itchō, "Founder of Giga"; Itchō and Ukiyo-e; PART ONE: A LIFE; 1 MULTIPLE NAMES FOR MANY PERSONAS; Mapping Itchō's Personas in Time and Place; Becoming a Kanō Painter: Yasuo/Shūrinsai; Playful Paintings, Playfully Painted; In the Floating World: Waō; In the World of Haikai Poetry: Gyōun; Autonomous: Fuji Nobuka and Taga Chōko; The Elegant and Vulgar at Play in an Album.
  • Fuji Nobuka's Accidental Meetings2 ISLAND ITCHŌ; Island Patrons; Poetic Communications from Exile; Island Paintings; Coda: The Sociability of a Summer Kimono; 3 HANABUSA ITCHŌ: HEAD OF THE STUDIO; The Kyōhō Era; The Sage at the Northern Window; Three Monumental Works; What Four Accomplishments?; The Visual Antics of Itchō; Best-Loved Motifs; Familiar Themes in the Hanabusa-School Repertoire; Painterly Poetics; Itchō's Inscription into Art History; The Itchō Legacy; PART TWO: AFTERLIVES; 4 TANGLED IN SCANDAL: MANUSCRIPT CULTURE; Print versus Manuscript Culture; The Vagaries of the Case.
  • A Record of Rumor: Sands of EdoAn Embellished Drama: Ryūkei's Tale; Made Transgressive: Edo Hearsay in Recent Times; 5 POETICALLY EVOKED: SONGS, POEMS, AND PICTURES IN PRINT; Itchō the Songwriter: Unattributed and Fleetingly Lauded; Paintings in Print: Publishing in the Name of the Master; 6 OBJECTIVITY AND ATMOSPHERE: BIOGRAPHIES TO JOURNALS; Kyōden's Embedded Account; The Broader Context: Biographies, 1790s-1850s; Itchō's Gradual Marginalization; 7 GOSSIP AFLOAT: THE PROMISCUITY OF THE ASAZUMA BOAT; Meanings Accrued; A Question of Attribution; Kyōden's Facts; Kyōden's Playfulness.
  • On the Kabuki Stage and in Ukiyo-eEPILOGUE; Endnotes; Bibliography; Illustration Credits; List of Characters; Index.

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