Decolonizing the landscape : Indigenous cultures in Australia /

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How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Neumeier, Beate (Editor ), Schaffer, Kay, 1945- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Rodopi, 2014.
Colección:Cross/cultures ; 173.
Temas:
Aboriginal Australians > Australia.
Aboriginal Australians > Civilization.
Aboriginal Australians > Social life and customs.
Arts, Aboriginal Australian.
Australiens (Aborigènes) > Civilisation.
Australiens (Aborigènes) > Mœurs et coutumes.
SOCIAL SCIENCE > Discrimination & Race Relations.
SOCIAL SCIENCE > Minority Studies.
Aboriginal Australians
Aboriginal Australians > Social life and customs
Arts, Aboriginal Australian
Australia
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title Page
  • Copyright Page
  • Table of Contents
  • List of Illustrations
  • Introduction
  • Sharing Across Boundaries
  • From Drill to Dance
  • The Great Tradition: Translating Durrudiya's Songs
  • Aboriginal Families, Knowledge, and the Archives: A Case Study
  • Decolonizing Methodology in an Arnhem Land Garden
  • The 'Cultural Design' of Western Desert Art
  • Ethical and Other Encounters
  • Modernism, Antipòdernism, and Australian Aboriginality
  • Material Resonance: Knowing Before Meaning
  • Waiting at the Border: White Filmmaking on the Ground of Aboriginal Sovereignty
  • Wounded Spaces/Geographies of Connectivity: Stephen Muecke's No Road (bitumen all the way), Margaret Somerville's Body/Landscape Journals, and Katrina Schlunke's Bluff Rock: Autobiography of a Massacre
  • Recovering the Past: Entangled Histories in Kim Scott's That Deadman Dance
  • Reading Transformations
  • The Geopolitical Underground: Alexis Wright's Carpentaria, Mining, and the Sacred
  • Identity and the Re-Assertion of Aboriginal Knowledge in Sam Watson's The Kadaitcha Sung
  • Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor's Short Fiction: A White Cross-Racial Reading
  • "And in my dreaming I can let go of the spirits of the past": Gothicizing the Common Law in Richard Frankland's No Way to Forget
  • Performative Lives
  • Transformative Practices: Wesley Enoch and Deborah Mailman, The 7 Stages of Grieving, and Richard Frankland, Conversations with the Dead
  • Notes on Contributors.

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