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|a Quote, double quote :
|b aesthetics between high and popular culture /
|c edited by Paul Ferstl and Keyvan Sarkhosh.
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|a Amsterdam :
|b Rodopi B.V.,
|c 2014.
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|a 1 online resource (248 pages)
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|a Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft,
|x 0929-6999 ;
|v 171
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|a The boundary between high culture and popular culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between high and popular culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and Creature Features, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.
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|a Print version record.
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|a Includes bibliographical references at the end of each chapters.
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|a Cover; Title Page; Copyright Page; Table of Contents; Introduction: Popular Culture in the Field of 'Undercomplexity'and 'Imbalanced Coding'; ""New Standards of Beauty and Style and Taste"". Expanding the Concept of Camp; Doppelte Optik and lange Ohren -- Notes on the Aesthetic Compromise; ""Wartime Entertainment"": Press Instructions of the NS Propaganda Ministry on Literary Texts in Magazines; Literary Field or ""Digital Soup""? Literature in the Internet; "Sick, sick, sick"?Pornography, Disgust, and the Limit Values of Aesthetics.
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|a Sharks, Spiders, Locusts, Bats, and Rats:Thoughts Toward the Morphology of Creature FeaturesAppropriating the Undead:Zombies Outside the Horror Genre; Narrative Devices in Contemporary Animated Series, or:Why Family Guy Does not Copy The Simpsons; Wrestling with Narratives:Reflections on the Montréal Screwjob; The Logic of Metallica out of the Spirit of the Drastic:Reflections on Serious Writing in Popular Culture; Becoming Line: On Some Features of Philosophy in Salut, Deleuze!
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|a English.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Aesthetics.
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|a Culture.
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|a Popular culture.
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|a Art
|x Philosophy.
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|a Culture populaire.
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|a Art
|x Philosophie.
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|a popular culture.
|2 aat
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|a PHILOSOPHY
|x Metaphysics.
|2 bisacsh
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|a Aesthetics
|2 fast
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|a Art
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|a Culture
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|a Popular culture
|2 fast
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700 |
1 |
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|a Ferstl, Paul,
|d 1981-
|e editor.
|1 https://id.oclc.org/worldcat/entity/E39PBJjxxcQv83bqkdC4DCYF8C
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700 |
1 |
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|a Sarkhosh, Keyvan,
|e editor.
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|i has work:
|a Quote, double quote (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG64GPT8C4hDD6FrdFGJXd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Quote, double quote. Aesthetics between high and popular culture
|z 9789042037960
|w (OCoLC)870639342
|
830 |
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0 |
|a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
|v 171.
|
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