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|a 9780226109022
|q (electronic bk.)
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|a 022610902X
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|z 9780226842981
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|a N72.M6
|b U76 2014eb
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|a UAMI
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|a Uroskie, Andrew V.,
|e author.
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1 |
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|a Between the black box and the white cube :
|b expanded cinema and postwar art /
|c Andrew V. Uroskie.
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1 |
|a Chicago ;
|a London :
|b University of Chicago Press,
|c 2014.
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|c ©2014
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300 |
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|a 1 online resource (x, 273 pages)
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|a text
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image.
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|a Print version record.
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|a Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Art and motion pictures.
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|a Art, Modern.
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|a Art
|y 20th century.
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|a Art et cinéma.
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|a Art and motion pictures
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|a Art, Modern
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|a 1900-1999
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758 |
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|i has work:
|a Between the black box and the white cube (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFvGtPGvP6JpmbWQw44tqP
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Uroskie, Andrew V.
|t Between the black box and the white cube
|z 9780226842981
|w (DLC) 2013022931
|w (OCoLC)852488365
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1629196
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