Between the black box and the white cube : expanded cinema and postwar art /
Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining tha...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Chicago ; London :
University of Chicago Press,
2014.
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Temas: | |
Acceso en línea: | Texto completo |
Sumario: | Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. |
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Descripción Física: | 1 online resource (x, 273 pages) |
Bibliografía: | Includes bibliographical references and index. |
ISBN: | 9780226109022 022610902X |