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Deleuze on Music, Painting and the Arts.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2014.
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| Colección: | Deleuze and the arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title; Copyright; Dedication; Contents; Abbreviations; Introduction; Part I: Music; Chapter One MUSICA NATURANS: DETERRITORIALIZING THE REFRAIN; Music and Cosmos in Antiquity; Rhythm and the Refrain; From Milieus to Territories; Messiaen and the Composition of Time; The Music of the Birds; Chapter Two MUSIC IN TIME: HISTORY AND BECOMING; Becoming-Woman, Becoming-Child; Transverse Becomings of Musical Invention; Classical Form, Romantic Variation; The Problem of the People; Varèse and the Modern Sound Machine; Cosmic People and the History of Discernibility.
- Chapter Three NATURA MUSICANS: TERRITORY AND THE REFRAINEthology and Territoriality; Von Uexküll and Musical Milieus; Ruyer and the Melodies of Developmental Biology; Structural Coupling and Natural Drift; Function and Aesthetics; The Autonomous Refrain; Part II: Painting; Chapter Four FACES; Hand and Mouth, Tool and Face; Regimes of Signs and the Faces of Power; White Wall, Black Hole; The Abstract Machine of Faciality; The Face and the Gaze; From the Gaze to the Face; Deterritorializing the Face; Primitive Heads, Christ-Face, Probe Heads; Chapter Five FORCES; The Figural.
- Systole and DiastoleThe Brutality of Fact; Forces; Chapter Six COLOR; Analogical Modulation; Haptic and Optic; Ground and Foundation; Excursus on the Gothic Line; Haptic Colorism; Analogue Diagrammatic Modulation; Part III: The Arts; Chapter Seven SENSATION AND THE PLANE OF COMPOSITION; Sensation; Plane of Immanence, Plane of Composition; Virtual and Possible; Conclusion; Specific Domains; Elective Affinities; Notes; Works Cited; Index.