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John Osborne : Vituperative Artist.
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2014.
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| Colección: | Studies in modern drama.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn870226837 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 140208s2014 xx o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCO |d OCLCQ |d HEBIS |d OCLCQ |d MERUC |d ZCU |d OCLCQ |d TKN |d OCLCF |d DKC |d OCLCO |d OCLCQ |d OCL |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO | ||
| 020 | |a 9781317842811 | ||
| 020 | |a 1317842812 | ||
| 035 | |a (OCoLC)870226837 | ||
| 050 | 4 | |a PR6029.S39 Z637 2014 | |
| 082 | 0 | 4 | |a 822.914 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gilleman, Luc. | |
| 245 | 1 | 0 | |a John Osborne : |b Vituperative Artist. |
| 260 | |a Hoboken : |b Taylor and Francis, |c 2014. | ||
| 300 | |a 1 online resource (273 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in Modern Drama | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; References to Osborne's Works; 1. Osborne's Phallic Art; Politics; Self-Image; Friend and Foe; Gender Politics and Aesthetics; O Happy Poet! By No Critic Vext! -- Genesis; Phallic Art; Part I; 2. Rise to the Top, 1956-1963; Royal Court Theatre; Tom Jones; Epitaph for George Dillon; Minor Work; Angry Young Men; 3. Look Back in Anger (1956): Of Bears and Traps; Reception; Language and Energy; The Welfare State; The Quest for Certainty; Double-Binding Relationships; The End of All Certainties; Appendix. | |
| 505 | 8 | |a 4. The Entertainer (1957): The Use of DespairReception; Characters; Conflicts; Past Glory, Present Pain; Toward a Sentimental Theatre -- A Pure, Just Natural Noise -- What's The Use of Despair? -- 5. Luther (1961): The Negative Way of Anger; Reception; Continuity and Contrast; The Knife and the Body; The Cone and the Bagpipe; The Child in the Cone; God's Eyes and the Devil's Organ; The Negative Way of Anger; Part II; 6. At the Top, 1964-1971; Death of the Fathers; Minor Work; Angry Woman; Work for Television; 7. Inadmissible Evidence (1964): The Birthing of the Self; Reception. | |
| 505 | 8 | |a The TrialThe Crime; Deceptive Symmetries; Birthing the Self; Himself Purely -- 8. A Patriot for Me (1965): Society and the Hidden Self; Production; Reception; Structure; The Duel; The Gaze; The Dual Body Functioning -- Society and the Hidden Self; Part III; 9. The Long Descent, 1972-1994; Adaptations; Television Plays; Autobiographies; 10. A Sense of Detachment (1972): The Limits of Authenticity; Reception; The Ruse of Anti-Theatre; Theatre Exorcism; The Roots of Theatre; The Author Detached; Conclusion: Theatre Arena; 11. Watch It Come Down (1976): A Most Necessary Failure; Reception. | |
| 505 | 8 | |a The Problem of GenreRhetoric and Authenticity; A Peculiar Economy; The Decline of Imagination; A Necessary Failure; 12. Déjàvu (1992): Elegy for Lost Origins; Reception; Thatcherism; Newspeak; Lost Origins; A Note on Further Reading; Notes; Index. | |
| 520 | |a For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Invective in literature. | |
| 650 | 0 | |a Osborne, John, |x 1929-1994 |x Criticism and interpretation. | |
| 650 | 6 | |a Invectives dans la littérature. | |
| 650 | 7 | |a Invective in literature |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Gilleman, Luc. |t John Osborne : Vituperative Artist. |d Hoboken : Taylor and Francis, ©2014 |z 9780815322016 |
| 830 | 0 | |a Studies in modern drama. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1619056 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1619056 | ||
| 994 | |a 92 |b IZTAP | ||