Cargando…
Tomas Gutierrez Alea : the Dialectics of a Filmmaker.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Preface; Introduction; Chapter 1: Context; Tomás Gutiérrez Alea: A Sketch; The Immediate Context: ICAIC and the Cuban Revolution; The Broad Context: New Latin American Cinema; Chapter 2: The Early Years: Idealism and Experimentation; Stories of the Revolution; The Twelve Chairs; Cumbite; Death of a Bureaucrat; Chapter 3: Memories Of Underdevelopment: The Dialectics Of Identification and Alienation; Genesis and Reception; Description of the Film; The Viewer's Dialectic; Film as Tragedy.
- Postmodern PostscriptChapter 4: The Search for Cuba's "Intra-Historia"; A Cuban Fight Against Demons; The Last Supper: Marxism Meets Christianity; The Survivors; Chapter 5: Up to a Certain Point: Turning the Lens on Himself; Chapter 6: Melodrama and the Crisis of the Revolution; Letters from the Park; Strawberry and Chocolate: Homosexuality, Marxism-Leninism, and Exile; Guantanamera; Chapter 7: Conclusions; The Intellectual; Religion; The Cuban Revolution; Notes; Select Bibliography; index.