Richard E. Norman and race filmmaking /

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In the early 1900s, so-called race filmmakers set out to produce Black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent&q...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lupack, Barbara Tepa
Otros Autores: Martin, Michael T.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2014]
Temas:
Norman, Richard E., > 1891-1960 > Criticism and interpretation.
Norman, Richard E., > 1891-1960
Race films.
African Americans in motion pictures.
Noirs américains au cinéma.
PERFORMING ARTS > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
African Americans in motion pictures
Race films
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Foreword / Michael T. Martin
  • Introduction : new visions of opportunity
  • Race matters : the evolution of race filmmaking
  • "Have you talent?" : Norman's early career
  • "Not a white man in the cast" : Norman's early race films
  • "Taking two hides from the ox" : The bull-dogger and The crimson skull
  • "A risky experiment" : Zircon and regeneration
  • "You know we have the goods" : The flying ace and Black gold
  • "It takes a darn good one to stick" : Norman's later career
  • Afterword
  • Appendix 1 : Shooting script : The green eyed monster
  • Appendix 2 : Shooting script (fragment) and scenario : The bull-dogger
  • Appendix 3 : Shooting script : The crimson skull.

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