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|a Franklin, Peter,
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|a Reclaiming late-romantic music :
|b singing devils and distant sounds /
|c Peter Franklin.
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|a Berkeley :
|b University of California Press,
|c [2014]
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|c ©2014
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|a 1 online resource (xvii, 197 pages) :
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|a Ernest Bloch lectures
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|a Includes bibliographical references and index.
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|a Setting the scene : grandiose symphonics and the trouble with art -- Pessimism, ecstasy and distant voices : listening to late-romanticism -- Sunsets, sunrises and decadent oceanics -- Making the world weep (more problems with opera) -- Late romanticism meets classical music at the movies -- The bitter truth of modernism : a late-romantic story.
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|a Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom.
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|a Music
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|i has work:
|a Reclaiming late-romantic music (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGcTCdqYh3BpFGJH6BwX3P
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Franklin, Peter.
|t Reclaiming late-romantic music.
|d Berkeley : University of California Press, [2014]
|z 9780520280397
|w (DLC) 2013031179
|w (OCoLC)855362768
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|a Ernest Bloch lectures.
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