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Reclaiming late-romantic music : singing devils and distant sounds /

Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally sel...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Franklin, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, [2014]
Colección:Ernest Bloch lectures.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Setting the scene : grandiose symphonics and the trouble with art -- Pessimism, ecstasy and distant voices : listening to late-romanticism -- Sunsets, sunrises and decadent oceanics -- Making the world weep (more problems with opera) -- Late romanticism meets classical music at the movies -- The bitter truth of modernism : a late-romantic story. 
520 |a Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom. 
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650 0 |a Music  |x Philosophy and aesthetics. 
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