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Conflict and Development in Iranian Film.
The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors ha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden University Press,
2012.
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| Colección: | Iranian Studies Series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Seyed-Gohrab, A. A. | |
| 245 | 1 | 0 | |a Conflict and Development in Iranian Film. |
| 260 | |b Leiden University Press, |c 2012. | ||
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| 505 | 0 | |a Conflict and Development in Iranian Film; Content; Acknowledgements; Politics and Persistence: The Development of Iranian Film; The Sound of Frogs at Night: Kiarostami's Philosophy of Cinema; Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema; Kiarostami's Cinematic Poetry in Where is the Friend's Home? and The Wind will Carry Us; Which Half is Hidden? The Public or the Private: An Analysis of Milani's The Hidden Half; Abbas Kiarostami and the Aesthetics of Ghazal. | |
| 505 | 8 | |a Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi's BârânVirtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials; Marziyeh Meshkini's The Day I Became a Woman; Index. | |
| 520 | |a The chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion pictures |z Iran. | |
| 650 | 6 | |a Cinéma |z Iran. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film production: technical and background skills. |2 bicssc | |
| 650 | 7 | |a HISTORY / Middle East / Iran. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
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| 650 | 7 | |a Film history, theory or criticism. |2 thema | |
| 650 | 7 | |a Filmmaking and production: technical and background skills. |2 thema | |
| 653 | |a Asian Studies | ||
| 653 | |a AS | ||
| 653 | |a FIL | ||
| 653 | |a LIN | ||
| 653 | |a Iran, film, cinematic techniques, Abbas Kiarostami, Islamic Revolution | ||
| 655 | 4 | |a Electronic books. | |
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| 776 | 0 | 8 | |i Print version: |z 9781306291378 |
| 830 | 0 | |a Iranian Studies Series. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3327204 |z Texto completo |
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