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Medieval Arabic Praise Poetry : Ibn Al-Rumi and the Patron's Redemption.
This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and eve...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hoboken :
Taylor and Francis,
2013.
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| Colección: | Routledge studies in Middle Eastern literatures.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 082 | 0 | 4 | |a 892.7/134 |a 892.7134 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gruendler, Beatrice. | |
| 245 | 1 | 0 | |a Medieval Arabic Praise Poetry : |b Ibn Al-Rumi and the Patron's Redemption. |
| 260 | |a Hoboken : |b Taylor and Francis, |c 2013. | ||
| 300 | |a 1 online resource (702 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Routledge Studies in Middle Eastern Literatures | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Abbreviations; Note on quotes and translations; Note on transliteration and dating; Glossary; Part I: Setting the stage; 1. The background: Poetry and poets in early Abbasid society; The audience; The patrons; The poets; 2. The form: The Abbasid praise qasīda; History of research; The textual approach; The intertextual approach; The contextual approach; Constraint and variety; 3. The approach: Madīh and pragmatics; Literary speech situation (context) and genre; The criteria and types of poetic dialogue. | |
| 505 | 8 | |a Excursus into the theory of speech actsCharacterization, dramaturgy, poetic argument, and ethics; 4. The protagonists: Ibn al-Rūmī and his patron 'Ubaydallāh b. 'Abdallāh; 5. The madīh exchanged between Ibn al-Rūmī and 'Ubaydallāh; The practice of praise; A note on the textual sources; Themes of the Qasā'id; The strophe; The antistrophe; The metastrophe; The speech acts of praise; Part II: Speech and characterization; 6. Speech as action; Speech of humans; Speech figuratively attributed to inanimate objects and abstract concepts; Figurative reinterpretation of verbal acts. | |
| 505 | 8 | |a 7. The dramatis personaeFictional personae; The accuser; White hair; Youth; Minor fictional personae; Historical personae; The patron; The poet; Part III: The dramaturgy; 8. The scene; The dialogue scene; The extended dialogue scene; The unintroduced dialogue; The address; The evocation; The monologue; The implicit and impersonal speaker; 9. The episode and its witnesses; Witnesses speaking or addressed in the episode; Witnesses quoted in the episode; 10. 'The passion of him whose parting has grayed is affectation' (L191); 11. 'They aimed at my heart from the gaps of veils' (L1042). | |
| 505 | 8 | |a Part IV: Verbal ornament12. Supporting figures of speech; Syntactic figures; Anaphora; Reprise; Semantic figures; Sententia and analogy; The recurring motif; 13. Phantasmagoria; Part V: Ibn al-Rūmī's ethics of patronage; 14. In the mirror of madīh; The scenes between poet and patron; The historical relationship; The function of the poem; 15. Mutual duties and rights of benefactor and protégé; Examples of scenes: A1160, F1243, and A1510; First example; Second example; Third example; 16. Acts and words between panegyrist and model; Acts and words, their order and congruity. | |
| 505 | 8 | |a The praise matches the actsThe praise cannot live up to the acts; The acts themselves compose praise through causal hyperbole; The acts claim ancient praise and re-attribute it to the patron; Praise precedes the acts; Examples of scenes: A694, F1373', A464/F1373', and A1171/A212/L215; The acts precede the praise, and the praise matches them; The praise cannot live up to the acts; The acts themselves compose praise through causal hyperbole; The acts claim ancient praise and re-attribute it to 'Ubaydallāh; Praise preceding acts and not yet redeemed; Recapitulation. | |
| 500 | |a Conclusion: Dramaturgy as a rhetoric of ethics. | ||
| 520 | |a This book gives an insight into panegyrics, a genre central to understanding medieval Near Eastern Society. Poets in this multi-ethnic society would address the majority of their verse to rulers, generals, officials, and the urban upper classes, its tone ranging from celebration to reprimand and even to threat. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
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| 600 | 0 | 7 | |a Ibn al-Rūmī, |d 836-896 |2 fast |
| 650 | 0 | |a Laudatory poetry, Arabic |x History and criticism. | |
| 650 | 0 | |a Arabic poetry |y 750-1258 |x History and criticism. | |
| 650 | 6 | |a Poésie arabe |y 750-1258 |x Histoire et critique. | |
| 650 | 6 | |a Poésie élogieuse arabe |x Histoire et critique. | |
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| 650 | 7 | |a Arabic poetry |2 fast | |
| 650 | 7 | |a Laudatory poetry, Arabic |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Gruendler, Beatrice. |t Medieval Arabic Praise Poetry : Ibn Al-Rumi and the Patron's Redemption. |d Hoboken : Taylor and Francis, ©2013 |z 9780700714902 |
| 830 | 0 | |a Routledge studies in Middle Eastern literatures. | |
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