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The merchant of modernism : the economic Jew in Anglo-American literature, 1864-1939 /
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2002.
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| Colección: | Literary criticism and cultural theory.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction; Chapter One: Our Mutual Creditor: Speculation, Representation, and the Jew in Charles Dickens' Our Mutual Friend and Anthony Trollope's The Way We Live Now; Chapter Two: "Made Viciously Cosmopolitan": From Realism to Romance in George Eliot's Daniel Deronda; Chapter Three: Transactions without Risk: Race, Art, and Commerce in Edith Wharton's The House of Mirth and The Custom of the Country.
- Chapter Four: Populist Naturalism: The "Natural" Markets and "Unnatural" Jews of Frank Norris, Theodore Dreiser, and Mark TwainChapter Five: The Merchant of Modernism: The Author as Jew in Henry James's The Golden Bowl and The American Scene; Chapter Six: "In Two Worlds at Once": Talmud, Cultural Capital, and Identity in Abraham Cahan's The Rise of David Levinsky; Chapter Seven: "A Single Window": First Person Narrators and Consuming Jews in F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's The Sun Also Rises, and Willa Cather's The Professor's House.
- Chapter Eight: Modernism Squats on My Windowsill: Rats, Jews, and Markets in T.S. Eliot's Ara Vos Prec, D.H. Lawrence's Women in Love, and Wyndham Lewis's The Apes of GodChapter Nine: Modernism Squats on My Windowsill, Part II: Markets of Meaning in Ezra Pound's Cantos, Gertrude Stein's Tender Buttons, and Virginia Woolf's Mrs. Dalloway; Chapter Ten: "Both Sides of the Question": Polyphony, Mixed Economies, and the Jewish Question in James Joyce's Ulysses; Notes; Bibliography; Index.