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The orientation of future cinema : technology, aesthetics, spectacle /
What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital tec...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury Academic,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Isaacs, Bruce, |e author. | |
| 245 | 1 | 4 | |a The orientation of future cinema : |b technology, aesthetics, spectacle / |c Bruce Isaacs. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2013. | |
| 300 | |a 1 online resource (x, 301 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 265-278) and index. | ||
| 504 | |a Includes filmography: pages 279-285. | ||
| 505 | 0 | |a The age of late cinema. On cinematic experience -- Theoretical trajectories in the age of late cinema: time and space -- The autonomous image of cinema -- The spectacle image. New American cinemas: 1967-1979 -- The technological image -- Neo-baroque form: excess and disambiguation -- Spectacle affect -- On the characteristics of future cinema. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière''s Arrival of a Train at. | ||
| 533 | |a Electronic reproduction. |b London : |c Bloomsbury Publishing, |d 2014. |n Available via World Wide Web. |n Access limited by licensing agreement. |5 OrPS | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion picture industry |x Technological innovations. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Digital media |x Influence. | |
| 650 | 6 | |a Cinéma |x Industrie |x Innovations. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Médias numériques |x Influence. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion picture industry |x Technological innovations |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Neue Medien |2 gnd | |
| 650 | 7 | |a Filmästhetik |2 gnd | |
| 650 | 7 | |a Digitaltechnik |2 gnd | |
| 650 | 7 | |a Technischer Fortschritt |2 gnd | |
| 758 | |i has work: |a The orientation of future cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFBpb4MjFwbyBRCWphHcT3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Isaacs, Bruce. |t Orientation of future cinema |z 9781441184221 |w (DLC) 2012033532 |w (OCoLC)777652902 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1399121 |z Texto completo |
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