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The Men With The Movie Camera : the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s.
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of came...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Berghahn Books,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cavendish, Philip. | |
| 245 | 1 | 4 | |a The Men With The Movie Camera : |b the Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. |
| 260 | |a New York : |b Berghahn Books, |c 2013. | ||
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| 505 | 0 | |a List of Illustrations; Acknowledgements; Note on Transliteration and Conventions; Abbreviations; Introduction; Chapter 1: The Theory and Practice of Camera Operation within the Soviet Avant-Garde of the 1920s; Chapter 2: Eduard Tisse and Sergei Eizenshtein; Chapter 3: Anatolii Golovnia and Vsevolod Pudovkin; Chapter 4: Andrei Moskvin and the Factory of the Eccentric Actor; Chapter 5: Danylo Demuts'kyi and Oleksandr Dovzhenko; Conclusion: The End of the Golden Age; Filmography; Bibliography; Index. | |
| 520 | |a Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contri. | ||
| 504 | |a Includes bibliographical references (pages 304-324) and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 650 | 0 | |a Cinematography |z Soviet Union |x History. | |
| 650 | 0 | |a Experimental films |z Soviet Union |x History and criticism. | |
| 650 | 0 | |a Silent films |z Soviet Union |x History and criticism. | |
| 650 | 0 | |a Motion pictures |z Soviet Union |x History. | |
| 650 | 6 | |a Cinéma |z URSS |x Histoire. | |
| 650 | 6 | |a Films muets |z URSS |x Histoire et critique. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Cinematography |2 fast | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Silent films |2 fast | |
| 651 | 7 | |a Soviet Union |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The men with the movie camera (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcrbTRQTbcFYpfxtqxwfq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Cavendish, Philip. |t Men With The Movie Camera : The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. |d New York : Berghahn Books, ©2013 |z 9781782380771 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1578372 |z Texto completo |
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