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Postmodernism, traditional cultural forms, and African American narratives /

"Examines how six writers reconfigure African American subjectivity in ways that recall postmodernist theory"--Provided by publisher

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hogue, W. Lawrence, 1951-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany : State University of New York Press, [2013]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hogue, W. Lawrence,  |d 1951- 
245 1 0 |a Postmodernism, traditional cultural forms, and African American narratives /  |c W. Lawrence Hogue. 
264 1 |a Albany :  |b State University of New York Press,  |c [2013] 
300 |a 1 online resource (viii, 331 pages) 
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504 |a Includes bibliographical references (pages 301-324) and index. 
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505 0 |a Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion. 
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650 0 |a American literature  |x African American authors  |x History and criticism. 
650 0 |a Subjectivity in literature. 
650 0 |a African Americans  |x Intellectual life. 
650 0 |a Postmodernism (Literature)  |z United States. 
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650 7 |a Postmodernism (Literature)  |2 fast 
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