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Japonisme in Britain : Whistler, Menpes, Henry, Hornel and nineteenth-century Japan.

Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ono, Ayako
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor and Francis, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Title page; Copyright page; Dedication page; Contents; List of figures; Foreword; Preface; Acknowledgements; List of abbreviations; Introduction; 1 Japonisme; Conclusion; Women and costume; Japanese, medieval and Greek art: William Burges and E.W. Godwin; Mass production and design improvement: Christopher Dresser and Arthur Lasenby Liberty; Japonisme in Scotland (Glasgow); Japonisme in Britain; Introduction: Japonisme and Japanese objects; 2 James McNeill Whistler's Japonisme; Conclusion; Nocturnes; Japanese objects and subjectless painting; Compositions; Introduction. 
505 8 |a 3 Mortimer Menpes's visit to Japan: The influence of J. McNeill Whistler and Kawanabe KyôsaiConclusion; The influence of Japan; 25 Cadogan Gardens; Japanese subjects and Whistler's influence; Introduction; 4 George Henry and Edward Atkinson Hornel's visit to Japan and Yokohama Shashin; Conclusion; Hornel's Japanese subjects and use of photographs; Henry's Japanese subjects and use of photographs; Life in Japan; Yokohama Shashin in Broughton House; Before the visit to Japan; Introduction; Conclusion; Appendices; Glossary; Notes; Bibliography; Index. 
520 |a Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular. 
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