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Pete Seeger Reader.
Perhaps the most widely recognized figure in folk music and one of the most well-known figures in American political activism, Pete Seeger now belongs among the icons of 20th-century American culture. The road to his current status as activist and respected voice of folk music was long and often rou...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford University Press, USA,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 131122s2013 xx o 000 0 eng d | ||
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| 050 | 4 | |a ML420.S445 P48 2014 | |
| 082 | 0 | 4 | |a 781.620092 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cohen, Ronald D. | |
| 245 | 1 | 0 | |a Pete Seeger Reader. |
| 260 | |b Oxford University Press, USA, |c 2013. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Contents; Introduction; PART I: Background; 1 Gene Marine: Guerrilla Minstrel (1972); 2 Studs Terkel: Pete Seeger: 2002 (2005); PART II: The Early Years; 3 Lawrence Emery: Interesting Summer: Young Puppeteers in Unique Tour of Rural Areas (1939); 4 Pete and His Banjo Meet Some Fine Mountain Folks (1940); 5 Pete Seeger: Banjo Picker in Kentucky; 6 Pete Seeger: Back Where I Come From (1941); 7 George Lewis: America Is in Their Songs: Pete Bowers and Al [sic] Hays Collect U.S. Folk Ballads (1941); 8 The Almanac Singers [Pete Seeger] to Son House (1942). | |
| 505 | 8 | |a 9 E.A.: The "Almanacs" Part, But Keep on Singing (1943)10 Pete Seeger: Notes of an Innocent Bystander (1945); 11 Woody Guthrie: People's Songs and Its People (1990); 12 Pete Seeger: People's Songs Workshop, The Jefferson School of Social Science Newsletter (1946); 13 Pete Seeger: People's Songs and Singers (1946); 14 Pete Seeger: Report to Members (1946); 15 Pete Seeger: Two Letters to People's Songs Supporters (1948); 16 Pete Seeger: Minutes of the Meeting of the National Board of Directors of People's Songs (1948); PART III: The 1950s. | |
| 505 | 8 | |a 17 Robert W. Dana: Village Vanguard Has Real Hoe-Down (1950)18 Jay Russell: How the Weavers Break Night Club Ice (1950); 19 Frederick Woltman: Melody Weaves On, Along Party Lines (1951); 20 Alan Lomax: Liner Notes to Darling Corey (1950); 21 Letter to Ray M. Lawless (1953); 22 Irwin Silber: Pete Seeger-Voice of Our Domestic Heritage (1954); 23 Monty Muns: Pete Seeger: An Appreciation (1955); 24 Pete Seeger: Summary of Government Charges, 1955-1957 (1957); 25 Pete Seeger: A Letter of Greetings to the Editors and Readers of Sing Along (1957). | |
| 505 | 8 | |a 26 "Blind Rafferty" (aka Dave Van Ronk): Untitled Article (1957)27 Emerson L. Batdorff: It's Not Nose in Folk Song, Artist Proves (1958); 28 Ronald Radosh: Excerpt from Commies (2001); PART IV: The 1960s; 29 Moses Asch: Foreword to Pete Seeger, American Favorite Ballads (1961); 30 Pete Seeger: Statement to the Court Before Judge Thomas F. Murphy, Federal Court, New York (1961); 31 David Marcus: Seeger Cites Battle of Politics, Arts (1961); 32 Eric Winter: Pete Seeger Sails In to a Hero's Welcome (1961); 33 Pete Seeger: When You're Singing Just Be Yourself (1961). | |
| 505 | 8 | |a 34 Allan Hjerpe: Pete Seeger in L.A. Concert (1962)35 Pete Seeger: The Country Washboard Band (1963); 36 Pete Seeger: Introduction to The Bells of Rhymney (1964); 37 Pete Seeger: Letter to Sis Cunningham and Gordon Friesen (1963); 38 Pete Seeger: What's in a Word? (1964); 39 Harold Leventhal: Newsletter about Seeger Concert Tour (1964); 40 Ruth Daniloff: Pete Seeger in Moscow (1964); 41 Jon Pankake: Pete's Children: The American Folksong Revival, Pro and Con (1964); 42 [Pete Seeger]: Pete Seeger (1965); 43 Ralph J. Gleason: A Singer Who Meets You Half Way (1965). | |
| 520 | |a Perhaps the most widely recognized figure in folk music and one of the most well-known figures in American political activism, Pete Seeger now belongs among the icons of 20th-century American culture. The road to his current status as activist and respected voice of folk music was long and often rough, starting from the moment he dropped out of Harvard in the late 1930s and picked up a banjo. Editors Ronald Cohen and James Capaldi trace Seeger's long and storied career, focusing on his work as not only a singer, but also on his substantial contributions as an educator, songwriter, organizer, p. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 7 | |a Seeger, Pete, |d 1919-2014 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJyGT8gcxJ9thDky737j4q |
| 650 | 0 | |a Seeger, Pete |x 1919- |x Criticism and interpretation. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9781306149921 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1573135 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL1573135 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis26798972 | ||
| 994 | |a 92 |b IZTAP | ||