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Choral Mediations in Greek Tragedy.
Analyses how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mu 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn862939866 | ||
| 003 | OCoLC | ||
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| 020 | |a 1139519565 | ||
| 020 | |a 9781107033283 |q (hardback) | ||
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| 050 | 4 | |a PA3136 .C484 2013 | |
| 082 | 0 | 4 | |a 882.0109 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Gagné, Renaud. | |
| 245 | 1 | 0 | |a Choral Mediations in Greek Tragedy. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (442 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Figures; Contributors; Chapter 1 Introduction; Euripides, Electra 699-746; Tragedy as a choral genre; A multi-layered medium; Chorus and audience; From Athens to the American stage; Chapter 2 Choral polyphony and the ritual functions of tragic songs; 1. Tragic choral identities; 2. Choral procedures of enunciative polyphony and pragmatics; 3. Enunciative 'intermedialities' of the tragic chorus; 4. Between choral polyphony and performative self-referentiality; Chapter 3 Chorus, conflict, and closure in Aeschylus' Persians; Choral perspectives; (a) Objects of focalization; (b) Zooming. | |
| 505 | 8 | |a (C) Filters(d) Slant; A choral plot; Choral closure; Chapter 4 Choral intertemporality in the Oresteia; I. Anachronies: a panopticon of times past, present and future; II. General reflections: blurring the borderline between past and present; III. Mise en abyme: mirroring the enactment of the heroic past; IV. Ritual: blending together past and present; V. Conclusion; Chapter 5 Choreography; I. The construction of the choral voice; II. The voice of the chorus: metre and the slippages of song; Chapter 6 Conflicting identities in the Euripidean chorus; Medea; Ion; Conclusion. | |
| 505 | 8 | |a Chapter 7 The choral plot of Euripides' HelenChapter 8 Transcultural chorality; 1. Introduction; 2. The Greek chorus in a Mediterranean context; 3. Maritime Artemis and cultural differentiation in the Iphigenia in Tauris; 4. Artemis Tauropolos as a transcultural goddess; 5. Transcultural chorality and the routing of Pontic trade; Chapter 9 Maenadism as self-referential chorality in Euripides' Bacchae; Introduction; A choral reading of the Bacchae; The parodos; Choral self-referentiality in the rest of the play; Conclusion. | |
| 505 | 8 | |a Chapter 10 The Delian Maidens and their relevance to choral mimesis in classical dramaIntroduction; The Delian Maidens in the Homeric Hymn (3) to Apollo; Four words relating to the mimesis performed by the Delian Maidens; The making of mimesis by the chorus; The democratizing of choral lyric; Homers Delian Maidens and Hesiods Muses as models of mimesis; Choral performance as a nonprofessional activity; The evolution of the choral poet-director; About the making of mimesis by the tragic chorus; Idiosyncrasies of the chorus in Athenian tragedy; The Delian Maidens as models of theatrical mimesis. | |
| 505 | 8 | |a The Delian Maidens as models of choral performance in tragedyConclusions; Chapter 11 Choral persuasions in Platos Laws; 1. Divine and human choreia: order, pleasure and belief; 2. Euphmia vs thrnos: Magnesias choruses and civic purity; Chapter 12 The comic chorus and the demagogue; Chapter 13 Dancing letters; Passage 1; Passage 2; Passage 3; Passage 4; Chapter 14 Choral dialectics; Hölderlin: republican revolution12; Hegel: the crisis of the polis47; A choral revolution?; Chapter 15 Enter and exit the chorus; Enter the chorus; Choruses in performance in early twentieth-century Britain. | |
| 500 | |a Exit the chorus. | ||
| 520 | |a Analyses how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Art, Ancient. | |
| 650 | 0 | |a Drama |x Chorus (Greek drama) | |
| 650 | 0 | |a Greek drama |x History and criticism. | |
| 650 | 0 | |a Greek drama (Tragedy) |x History and criticism. | |
| 650 | 6 | |a Art antique. | |
| 650 | 6 | |a Théâtre (Genre littéraire) |x Chœur de théâtre grec. | |
| 650 | 6 | |a Théâtre grec |x Histoire et critique. | |
| 650 | 6 | |a Tragédie grecque |x Histoire et critique. | |
| 650 | 7 | |a Art, Ancient |2 fast | |
| 650 | 7 | |a Drama |x Chorus (Greek drama) |2 fast | |
| 650 | 7 | |a Greek drama |2 fast | |
| 650 | 7 | |a Greek drama (Tragedy) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Govers, Marianne. | |
| 758 | |i has work: |a Choral mediations in Greek tragedy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGh3FWtmK98gt7mDWCKhf3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Gagné, Renaud. |t Choral Mediations in Greek Tragedy. |d Cambridge : Cambridge University Press, ©2013 |z 9781107033283 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1182973 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1182973 | ||
| 994 | |a 92 |b IZTAP | ||