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Sentimental opera : questions of genre in the age of bourgeois drama /

Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Castelvecchi, Stefano, 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2013.
Colección:Cambridge studies in opera.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Castelvecchi, Stefano,  |d 1960-  |1 https://id.oclc.org/worldcat/entity/E39PBJpdVgjrwCWcXWjWWFgR8C 
245 1 0 |a Sentimental opera :  |b questions of genre in the age of bourgeois drama /  |c Stefano Castelvecchi. 
260 |a Cambridge :  |b Cambridge University Press,  |c 2013. 
300 |a 1 online resource (300 pages) 
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490 1 |a Cambridge Studies in Opera 
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505 0 |a Cover; Contents; Figures; Music examples; Preface; Acknowledgements; Note on editorial method; A prologue on genre; Against genre; How genres exist; Families; The critic's genre; 1 Pamela goes to the opera; The third genre; Painful delights: Richardson's Pamela; Interiors: Goldoni's La Pamela; The most perfect of opere buffe: Goldoni and Piccinni's La buona figliuola; 2 The emergence of bourgeois drama; Indecorous liaisons; Of tales of private woe, and poems in prose; Comédie larmoyante, tragédie bourgeoise; Why 'bourgeois'?; 3 The codification of bourgeois drama; Diderot's genre moyen. 
505 8 |a TableauxDiderotians; Mixed, median, monstrous; 4 Opera as drame; Mercier the dramaturge; On 'drame' and the use of words; Two déserteurs, or virtue rewarded and virtue chastised; Three Venetian disertori; 5 Sensibility and the moral cure; Sentiment and sensibility; In the labyrinth of the 'folles par amour'; Moral cure and absorption; A salon, a lodge, a circle; 6 A sentimental opera; An epoch-making experiment; A Utopian fantasy; Sentimental settings; To listen for the sentiment; 7 Sentimental, anti-sentimental; A perpetual interplay; Figaro's family; Society and its discontents; Dissonances. 
505 8 |a 8 AvenuesThe weeds of opera; Matters of degree; A Muse of its own; The encoding of life; The waning of sensibility; Appendix: Bartolomeo Benincasa's preface to Il disertore (1784); References; Books, articles and other literature; Eighteenth-century periodicals; Plays; Librettos; Scores; Index. 
520 |a Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart. 
504 |a Includes bibliographical references and index. 
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650 0 |a Opera  |y 18th century. 
650 0 |a Domestic drama  |x History and criticism. 
650 6 |a Théâtre bourgeois  |x Histoire et critique. 
650 7 |a MUSIC  |x Instruction & Study  |x Voice.  |2 bisacsh 
650 7 |a MUSIC  |x Lyrics.  |2 bisacsh 
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650 7 |a Domestic drama  |2 fast 
650 7 |a Opera  |2 fast 
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648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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