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|a ML1704 .C38 2013
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|a MUS
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|2 23
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|a UAMI
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1 |
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|a Castelvecchi, Stefano,
|d 1960-
|1 https://id.oclc.org/worldcat/entity/E39PBJpdVgjrwCWcXWjWWFgR8C
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245 |
1 |
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|a Sentimental opera :
|b questions of genre in the age of bourgeois drama /
|c Stefano Castelvecchi.
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|a Cambridge :
|b Cambridge University Press,
|c 2013.
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|a 1 online resource (300 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cambridge Studies in Opera
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|a Print version record.
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|a Cover; Contents; Figures; Music examples; Preface; Acknowledgements; Note on editorial method; A prologue on genre; Against genre; How genres exist; Families; The critic's genre; 1 Pamela goes to the opera; The third genre; Painful delights: Richardson's Pamela; Interiors: Goldoni's La Pamela; The most perfect of opere buffe: Goldoni and Piccinni's La buona figliuola; 2 The emergence of bourgeois drama; Indecorous liaisons; Of tales of private woe, and poems in prose; Comédie larmoyante, tragédie bourgeoise; Why 'bourgeois'?; 3 The codification of bourgeois drama; Diderot's genre moyen.
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|a TableauxDiderotians; Mixed, median, monstrous; 4 Opera as drame; Mercier the dramaturge; On 'drame' and the use of words; Two déserteurs, or virtue rewarded and virtue chastised; Three Venetian disertori; 5 Sensibility and the moral cure; Sentiment and sensibility; In the labyrinth of the 'folles par amour'; Moral cure and absorption; A salon, a lodge, a circle; 6 A sentimental opera; An epoch-making experiment; A Utopian fantasy; Sentimental settings; To listen for the sentiment; 7 Sentimental, anti-sentimental; A perpetual interplay; Figaro's family; Society and its discontents; Dissonances.
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|a 8 AvenuesThe weeds of opera; Matters of degree; A Muse of its own; The encoding of life; The waning of sensibility; Appendix: Bartolomeo Benincasa's preface to Il disertore (1784); References; Books, articles and other literature; Eighteenth-century periodicals; Plays; Librettos; Scores; Index.
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|a Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.
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|a Includes bibliographical references and index.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Opera
|y 18th century.
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650 |
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|a Domestic drama
|x History and criticism.
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650 |
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|a Théâtre bourgeois
|x Histoire et critique.
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650 |
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|a MUSIC
|x Instruction & Study
|x Voice.
|2 bisacsh
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|a MUSIC
|x Lyrics.
|2 bisacsh
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|a MUSIC
|x Printed Music
|x Vocal.
|2 bisacsh
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|a Domestic drama
|2 fast
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|a Opera
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|a Oper
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|a 1700-1799
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a Sentimental opera (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGhBfp9h4bf6qMfyDWQhjK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Castelvecchi, Stefano.
|t Sentimental Opera : Questions of Genre in the Age of Bourgeois Drama.
|d Cambridge : Cambridge University Press, ©2013
|z 9780521632140
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830 |
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|a Cambridge studies in opera.
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1543535
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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