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Buen gusto and classicism in the visual cultures of Latin America, 1780-1910 /
"The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to "revive" buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, no...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Albuquerque :
University of New Mexico Press,
2013.
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| Edición: | First [edition]. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover; Title Page; Copyright; Contents; Illustrations; Acknowledgments; Introduction; PART ONE: Redefining Urban Space and the Promotion of Classicism; 1: Manuel Tolsá's Equestrian Statue of Charles IV and Buen Gusto in Late Colonial Mexico; 2: Gothic Taste vs. Buen Gusto: Creolism, Urban Space, and Aesthetic Discourse in Late Colonial Peru; 3: El Templete: Classicism and the Dialectics of Colonial Urban Space in Early Nineteenth-Century Havana, Cuba; 4: Neoclassical Pompai in Early Twentieth-Century Cartagena de Indias, Colombia; PART TWO: Imprinting Classicism and Its Consumption.
- 5: A Taste for Art in Late Colonial New Spain6: The Plantation Landscape and Its Architecture: Classicism, Representation, and Slavery; 7: Buen Gusto and the Transition to Nation: 1830-1850; 8: A Western Mirage on the Bolivian Altiplano; PART THREE: Dividing Lines: Practices and Problems; 9: The Language of Line in Late Eighteenth-Century New Spain: The Calligraphic Equestrian Portrait of Bernardo de Gálvez (1796); 10: Art and Viceregal Taste in Late Colonial Lima and Buenos Aires.
- 11: From Baroque Triumphalism to Neoclassical Renunciation: Altarpieces of the Cathedral of Cuzco in the Era of Independence12: Buen Gusto and Classicism in the Late Nineteenth Century: An Appraisal in the Context of the 1881 Centennial of Mexico's Academy of San Carlos; Contributors; Index.