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Aggressive fictions : reading the contemporary American novel /

A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hume, Kathryn, 1945-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hume, Kathryn,  |d 1945-  |1 https://id.oclc.org/worldcat/entity/E39PBJpV3KjdKwpT4g9d7YcXVC 
245 1 0 |a Aggressive fictions :  |b reading the contemporary American novel /  |c Kathryn Hume. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 2012. 
300 |a 1 online resource (xiii, 200 pages) 
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504 |a Includes bibliographical references (pages 185-193) and index. 
505 0 |a The author-reader contract -- Narrative speed in contemporary fiction -- Modalities of complaint -- Conjugations of the grotesque -- Violence -- Attacking the reader's ontological assumptions -- Why read aggressive fictions? 
520 |a A frequent complaint about contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers--or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fictions." Why would authors risk alienating their readers--and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy. In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion. -- Book jacket. 
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546 |a In English. 
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650 0 |a Aggressiveness in literature. 
650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a American fiction  |y 21st century  |x History and criticism. 
650 0 |a Aversion in literature. 
650 6 |a Agressivité dans la littérature. 
650 6 |a Roman américain  |y 20e siècle  |x Histoire et critique. 
650 6 |a Roman américain  |y 21e siècle  |x Histoire et critique. 
650 6 |a Aversion dans la littérature. 
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650 7 |a Aggressiveness in literature.  |2 idszbzes 
650 7 |a American fiction  |x History and criticism  |y 20th century.  |2 idszbzes 
650 7 |a American fiction  |x History and criticism  |y 21st century.  |2 idszbzes 
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