Cantos and Strophes in Biblical Hebrew Poetry III : Psalms 90-150 and Psalm 1 /

Formal and thematic devices demonstrate that Hebrew poetry is composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers.

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Lugt, Pieter van der (Biblical scholar)
Format: Électronique eBook
Langue:Inglés
Publié: Leiden : Brill, 2014.
Collection:Oudtestamentische Studiën, Old Testament Studies.
Sujets:
Bible. > Psalms, XC-CL > Criticism, interpretation, etc.
Bible. > Psalms, I > Criticism, interpretation, etc.
Bible. > Psalms > Language, style.
Bible. > Psalms, I
Bible. > Psalms
Hebrew poetry, Biblical > History and criticism.
Stanzas.
Rhetoric in the Bible.
Poésie hébraïque biblique > Histoire et critique.
Strophes.
Rhétorique dans la Bible.
RELIGION > Biblical Studies > Old Testament.
RELIGION > Biblical Studies > Wisdom Literature.
Language and languages > Style
Hebrew poetry, Biblical
Rhetoric in the Bible
Stanzas
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Methodology
  • Methodology
  • The logical division of the subject matter
  • Traiisition markers
  • Verbal repetitions
  • Quantitative structural aspects
  • Various divisions
  • Presentation
  • Comments and summary
  • The reproduction of the texts
  • Textcritica! remarks
  • In retrospect
  • The Fourth Book of the Psalter
  • Psalm 90
  • Psalm 91
  • Psalm 92
  • Psalm 93
  • Psalm 94
  • Psalm 95
  • Psalm 96
  • Psalm 97
  • Psalm 98
  • Psalm 99
  • Psalm 100
  • Psalm 101
  • Psalm 102
  • Psalm 103
  • Psalm 104
  • Psalm 105
  • Psalm 106
  • The Fifth Book of the Psalter
  • Psalm 107
  • Psalm 108
  • Psalm 109
  • Psalm 110
  • Psalm 111
  • Psalm 112
  • Psalm 113
  • Psalm 114
  • Psalm 115
  • Psalm 116
  • Psalm 118
  • Psalm 119
  • Introduction
  • The rhetorical structure of the cantos
  • Transition markers
  • Quantitative structural aspects
  • The overall design of the psahn
  • Bibliography
  • Psalm 120
  • Psalm 121
  • Psalm 122
  • Psalm 123
  • Psalm 124
  • Psalm 125
  • Psalm 126
  • Psalm 127
  • Psalm 128
  • Psalm 129
  • Psalm 130
  • Psalm 131
  • Psalm 132
  • Psalms 133-134
  • The linearly alternating design of the cycle of the Psalms of Ascents
  • Introduction: various combinations
  • The linearly alternating design in thematic perspective
  • The linearly alternating design: numerical perfection
  • Verbal repetitions in structural perspective
  • Concluding remark
  • Bibliography
  • Psalm 135
  • Psalm 136
  • Psalm 137
  • Psalm 138
  • Psalm 139
  • Psalm 140
  • Psalm 141
  • Psalm 142
  • Psalm 143
  • Psalm 144
  • Psalm 145
  • Psalm 146
  • Psalm 147
  • Psalm 148
  • Psalm 149
  • Psalm 150
  • An afterthought : Psalm 1
  • The Carito Design of Hebrew Poetry in Terms of Verselines
  • General outline
  • The First Book of the Psalter : Psalms 1-41
  • The Seeond Book of the Psalter : Psalms 42-72
  • The Third Book of the Psalter : Psalms 73-89
  • The Fourth Book of the Psalter : Psalms 90-106
  • The Fifth book of the Psalter : Psalms 107-150
  • Outcome
  • Canto design in terms of verselines
  • Introduction
  • Type IA: exactly regulär cantos
  • Within the book of Psalms
  • Outside the book of Psalms
  • Type IB: almost regulär cantos
  • Transitional designs within the book of Psalms
  • Almost regulär cantos within the book of Psalms
  • Almost regulär cantos outside the book of Psalms
  • Type IIA/B/C : the 2.4.4, 4.4.2 and 2.4.4.2 canto design
  • Introduction
  • The 2.4.4 canto design within the book of Psalms
  • The 4.4.2 canto design within the book of Psalms
  • The 2.4.4 and 4.4.2 canto design outside the book of Psalms
  • The 2.4.4.2 canto design
  • Type III : concentric canto designs
  • Within the book of Psalms
  • Outside the book of Psalms
  • Summary
  • Abbreviations
  • Definitions
  • General bibliography.

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