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The phantom of the ego : modernism and the mimetic unconscious /

This is a comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, the author starts with Friedrich Nietzsche&#...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lawtoo, Nidesh
Formato: Electrónico eBook
Idioma:Inglés
Publicado: East Lansing : Michigan State University Press, [2013]
Colección:Studies in violence, mimesis, and culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The phantom of the ego :  |b modernism and the mimetic unconscious /  |c Nidesh Lawtoo. 
264 1 |a East Lansing :  |b Michigan State University Press,  |c [2013] 
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490 1 |a Studies in violence, mimesis, and culture 
504 |a Includes bibliographical references (pages 307-359) and index. 
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505 0 |a Introduction -- Nietzsche's Mimetic Patho(-)logy : From Antiquity to Modernity -- Conrad and the Horror of Modernity -- D. H. Lawrence and the Dissolution of the Ego -- Bataille's Mimetic Communication -- Coda : Mimetic Theory Revisited. 
520 |a This is a comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, the author starts with Friedrich Nietzsche's antimetaphysical diagnostic of the ego, his realization that mimetic reflexes - from sympathy to hypnosis, to contagion, to crowd behavior - move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D.H. Lawrence, and Georges Bataille, the author of this book shows that, before being a timely empirical discovery, the "mimetic unconscious" emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, "a phantom of the ego." This book opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its via regia, and argues that the modernist account of the "mimetic unconscious" makes our understanding of the psyche new. 
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