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Signs of music : a guide to musical semiotics /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin ; New York :
Mouton de Gruyter,
2002.
|
| Colección: | Approaches to applied semiotics ;
3. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Music as sign
- Is music sign?
- Music as semiotic: A historical perspective
- Peirce, Greimas, and music-semiotic analysis
- Understanding / misunderstanding musical signs
- Theses on understanding / misunderstanding musical signs
- Theses on processes of understanding
- Signs in music history, history of music semiotics
- Signs in music itself
- Romanticism
- Modernism
- History of musical scholarship in the light of semiotics
- Main lines in the development of musical semiotics
- Signs as acts and events: On musical situations
- Situation as communication and signification
- Situation as act and event
- Situations as intertextuality
- Articulation of situations
- Gender, biology, and transcendence
- Metaphors of nature and organicism in music: A "biosemiotic" approach
- On the musically organic
- Sibelius and the idea of the "organic"
- Organic narrativity
- The emancipation of the sign: On corporeal and gestural meanings in music
- Body and transcendence in Chopin
- Are corporeal signs iconic?
- Are corporeal signs indexical?
- Analysis
- Social and musical practices
- Voice and identity
- Voice and signification
- Text
- Transcendence
- Orality
- Singing as social identity
- National voice types
- Gender
- Education
- Empirical methods
- On the semiosis of musical improvisation: From Mastersingers to Bororo indians
- Musical improvisation and semiotics
- Improvisation as communication
- Improvisation as signification: A peircean view.