The birth of New Criticism : conflict and conciliation in the early work of William Empson, I.A. Richards, Laura Riding, and Robert Graves /

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Amid competing claims about who first developed the theories and practices that became known as New Criticism - the critical method that rose alongside Modernism - literary historians have generally given the lion's share of credit to William Empson and I.A. Richards. In The Birth of New Critic...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Childs, Donald J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Montreal : McGill-Queen's University Press, [2013]
Temas:
Empson, William, > 1906-1984 > Criticism and interpretation.
Richards, I. A. > (Ivor Armstrong), > 1893-1979 > Criticism and interpretation.
Riding, Laura, > 1901-1991 > Criticism and interpretation.
Graves, Robert, > 1895-1985 > Criticism and interpretation.
Empson, William, > 1906-1984 > Critique et interprétation.
Richards, I. A. > (Ivor Armstrong), > 1893-1979 > Critique et interprétation.
Riding, Laura, > 1901-1991 > Critique et interprétation.
Graves, Robert, > 1895-1985 > Critique et interprétation.
Empson, William, > 1906-1984
Graves, Robert, > 1895-1985
Richards, I. A. > (Ivor Armstrong), > 1893-1979
Riding, Laura, > 1901-1991
New Criticism > History.
Nouvelle critique > Histoire.
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
New Criticism
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Copyright
  • Contents
  • Acknowledgments
  • Introduction
  • 1
  • An Old Anxiety about Influence
  • 2
  • A Question of Conflict
  • 3
  • Mediating The Poetic Mind: “as many meanings as possibleâ€?
  • 4
  • The Limits of Poetic Consciousness
  • 5
  • Models of Practically Ambiguous Criticism
  • 6
  • Defence of Poetic Analysis
  • 7
  • The Ambiguous Grammar of Romantic Psychology
  • 8
  • Associations
  • 9
  • Taxonomies of Types
  • 10
  • Remembering Graves in Revision
  • 11
  • Richards and the Graves(t) Danger
  • 12
  • How Graves Shapes Richardsâ€?s Principles
  • 13
  • Conflict Theory in Science and Poetry14
  • Riding Corrects Richards (and Graves)
  • 15
  • Asserting the Poemâ€?s Autonomy contra Richards
  • 16
  • From Slow Reading to Close Reading: Escaping the Stock Response
  • 17
  • Taking New Stock of Stock Responses
  • 18
  • Poetry, Interpretation, and Education
  • 19
  • Anthology Culture, Self-Reliance, and Self-Development
  • 20
  • Slow Wit, Slow Close Reading, and Paraphrase
  • Notes
  • Index

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