Cargando…

Local and global understandings of creativities : multipart music making and the construction of ideas, contexts and contents /

In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These a...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Ahmedaja, Ardian
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne : Cambridge Scholars Pub., 2013.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Ma 4500
001 EBOOKCENTRAL_ocn860825737
003 OCoLC
005 20240329122006.0
006 m o d
007 cr |n|||||||||
008 131015s2013 enka ob 001 0 eng d
040 |a YDXCP  |b eng  |e pn  |c YDXCP  |d OCLCO  |d N$T  |d MEAUC  |d OCLCO  |d OCLCF  |d VLB  |d EBLCP  |d S4S  |d OCLCO  |d OCLCQ  |d OCLCO  |d DEBSZ  |d OCLCO  |d OCLCQ  |d OCLCO  |d K6U  |d OCLCQ  |d AGLDB  |d OCLCQ  |d CCO  |d PIFFA  |d FVL  |d ZCU  |d MERUC  |d OCLCQ  |d U3W  |d STF  |d VTS  |d ICG  |d NLE  |d VT2  |d REC  |d UKMGB  |d OCLCQ  |d WYU  |d TKN  |d DKC  |d AU@  |d OCLCQ  |d M8D  |d UKAHL  |d OCLCQ  |d OCL  |d OCLCQ  |d ELBRO  |d OCLCO  |d OCLCQ  |d OCLCO 
016 7 |a 017853315  |2 Uk 
019 |a 861081575  |a 961601879  |a 962703300 
020 |a 1443852155  |q (electronic bk.) 
020 |a 9781443852159  |q (electronic bk.) 
020 |z 9781443847414  |q (hardback) 
020 |z 1443847410  |q (hardback) 
029 1 |a AU@  |b 000052214318 
029 1 |a DEBBG  |b BV043154976 
029 1 |a DEBBG  |b BV044064069 
029 1 |a DEBSZ  |b 424613972 
029 1 |a DEBSZ  |b 452519144 
029 1 |a UKMGB  |b 017853315 
029 1 |a AU@  |b 000066770635 
035 |a (OCoLC)860825737  |z (OCoLC)861081575  |z (OCoLC)961601879  |z (OCoLC)962703300 
037 |a 9781443852159  |b Cambridge Scholars Publishing 
050 4 |a ML3800  |b .L63 2013 
072 7 |a MUS  |x 006000  |2 bisacsh 
072 7 |a MUS  |x 033000  |2 bisacsh 
082 0 4 |a 780.1  |2 23 
049 |a UAMI 
245 0 0 |a Local and global understandings of creativities :  |b multipart music making and the construction of ideas, contexts and contents /  |c edited by Ardian Ahmedaja. 
260 |a Newcastle upon Tyne :  |b Cambridge Scholars Pub.,  |c 2013. 
300 |a 1 online resource (xii, 374 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Contributions selected from papers presented at the 2nd Symposium of the Study Group for Multipart Music within the International Council for Traditional Music, Tiranë, Albania, 2012. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a TABLE OF CONTENTS; ACKNOWLEDGEMENTS; PREFACE; PART I; MULTIPART DRINKING (AND SINGING); PART II; PART II.1; SECONDARY ORALITY AND CREATIVITYPROCESSES IN MULTIPART SINGING; IN QUEST OF COMMUNION; ON MUSICAL CREATIVITYIN "TEXT-ORIENTED" SONG TRADITIONS; PRODUCTION AND PROCESS; MULITPART SINGING, MULTILINGUALISMANDMEDIATIZATION; WAITING FOR THE SEA TO DRY UP; PART II. 2; FEMALE POLYPHONYIN NORTHERN PORTUGAL; CONSTRUCTING COMMUNAL ACTION; FROMMONODY TO POLYPHONY; TWO PART SINGING IN PARALLELIN ROMAGNA; MICROCREATIVITY. 
505 8 |a DIMENSIONS OF CREATIVITYIN THE DERIVATION, FORMATIONAND MODIFICATION OF MUSICAL PRACTICEMIKARAYAG; FOLK MUSIC REVIVAL IN ARGENTINA; PART III; BYZANTINE CHANT, THE ISON, AND ARBËRESH LITURGICAL CHANT; POLYPHONY OF VOICES IN JEWISHRELIGIOUS TRADITIONS; PART IV; MULTIPART SINGING IN LATVIANTRADITIONAL MUSIC; ROMANI SONGS AS INTANGIBLE CULTURALHERITAGE IN AUSTRIA; CONTRIBUTORS; LIST OF AUDIO EXAMPLES; INDEX. 
520 |a In music making ""in company"", the protagonists have to follow the rules of interaction and create the cohesion of ""being together"". At the same time, they try to promote personal goals that depend on specific personal treasure troves of experience. These are continuously being modified also as a result of the exchange between individuals. The perspective of the ""individuals in company"" leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and lo ... 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Music  |x Social aspects. 
650 0 |a Part songs  |x History and criticism. 
650 0 |a Folk music  |x History and criticism. 
650 6 |a Musique  |x Aspect social. 
650 6 |a Polyphonies  |x Histoire et critique. 
650 7 |a Music: styles & genres.  |2 bicssc 
650 7 |a Folk & traditional music.  |2 bicssc 
650 7 |a Anthropology.  |2 bicssc 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a Folk music  |2 fast 
650 7 |a Music  |x Social aspects  |2 fast 
650 7 |a Part songs  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Ahmedaja, Ardian. 
776 0 8 |i Print version:  |z 9781443847414  |z 1443847410 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1477500  |z Texto completo 
938 |a eLibro  |b ELBO  |n ELB147970 
938 |a Askews and Holts Library Services  |b ASKH  |n AH25702728 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL1477500 
938 |a EBSCOhost  |b EBSC  |n 649537 
938 |a YBP Library Services  |b YANK  |n 11227435 
994 |a 92  |b IZTAP