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Hiding making - showing creation : the studio from Turner to Tacita Dean /

"The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Esner, Rachel (Editor ), Kisters, Sandra (Editor ), Lehmann, Sophie-Ann (Editor )
Formato: eBook
Idioma:Inglés
Publicado: Amsterdam University Press, 2013.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction / Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann
  • PART I: Introduction: Old and New Studio Topoi in the Nineteenth Century / Sandra Kisters
  • Studio Matters: Materials, Instruments and Artistic Processes / Monika Wagner
  • Jean-Léon Gérôme, His Badger and His Studio / Matthias Krüger
  • Showing Making in Courbet's The Painter's Studio / Petra ten-Doesschate Chu
  • Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting / Terry van Druten
  • 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau / Maar ten Liefooghe
  • The Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century / Mayken Jonkman
  • PART II: Introduction: Forms and Functions of the Studio from the Twentieth Century to Today / Rachel Esner
  • The Studio as Mediator / Frank Reijnders
  • Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings / Matthias Noe ll
  • Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) / Beatrice von Bismarck
  • The Empty Studio: Bruce Nauman's Studio Films / Eric de Bruyn
  • Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur / Wouter Davidts
  • Staging the Studio: Enacting Artful Realities through Digital Photography / Sarah de Rijcke
  • Epilogue: "Good Art Theory Must Smell of the Studio" / Ann-Sophie Lehmann.