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For creative geographies : geography, visual arts and the making of worlds /

This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hawkins, Harriet, 1980- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Hoboken : Taylor and Francis, 2014.
Colección:Routledge advances in geography.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hawkins, Harriet,  |d 1980-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJjmPWYhGwWh8yTRVGgh73 
245 1 0 |a For creative geographies :  |b geography, visual arts and the making of worlds /  |c Harriet Hawkins. 
264 1 |a Hoboken :  |b Taylor and Francis,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource (xii, 310 pages) :  |b illustrations 
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490 1 |a Routledge Advances in Geography 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction: For Creative Geographies; PART I Art and the Making/Transforming of Geography; 1 Placing Art at the Royal Geographical Society: Creative Compass, Exhibition Imaginaries, and Cartographic Critiques; 2 Connecting with Gertrude: Woven Threads and Written Traces-Crafting Disciplinary Histories; PART II A Geographical Turn? Placing Production, Producing Sites; 3 Producing Sites: Michael Landy's Break Down; 4 Framing the World: Portraits of Place and Richard Wentworth's Urban Imaginary. 
505 8 |a 5 insites: On Residency and CollaborationPART III Remapping Bodies: Substances, Senses, Spaces, and Encounters; 6 The Argument of the Eye: Installation Art and the "Experience of Experience"; 7 Points of Contact: The Geographies of Ana Mendieta's Earth-Body Works; By Way of Conclusion: Towards an Analytic Framework; Notes; Bibliography; Index. 
520 |a This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other cr. 
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650 0 |a Geographical perception. 
650 0 |a Art and design. 
650 0 |a Visual perception. 
650 2 |a Visual Perception 
650 4 |a Art and design. 
650 4 |a Art and geography. 
650 4 |a Geographical perception. 
650 4 |a Visual perception. 
650 6 |a Art et géographie. 
650 6 |a Perception géographique. 
650 6 |a Art et design. 
650 6 |a Perception visuelle. 
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650 7 |a Art and geography  |2 fast 
650 7 |a Geographical perception  |2 fast 
650 7 |a Visual perception  |2 fast 
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