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|a 9780203796283
|q (electronic book)
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|a 0203796284
|q (electronic book)
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|z 9780415636254
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|z 0415636256
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|z 1138952923
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|a 9781135139674
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|a 1135139679
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|a AU@
|b 000055921682
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|a (OCoLC)860626039
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|a N72.G55 H39 2013
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|a 701.04
|a 701/.04
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|a UAMI
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|a Hawkins, Harriet,
|d 1980-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PBJjmPWYhGwWh8yTRVGgh73
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|a For creative geographies :
|b geography, visual arts and the making of worlds /
|c Harriet Hawkins.
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|a Hoboken :
|b Taylor and Francis,
|c 2014.
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|c ©2014
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300 |
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|a 1 online resource (xii, 310 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Routledge Advances in Geography
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction: For Creative Geographies; PART I Art and the Making/Transforming of Geography; 1 Placing Art at the Royal Geographical Society: Creative Compass, Exhibition Imaginaries, and Cartographic Critiques; 2 Connecting with Gertrude: Woven Threads and Written Traces-Crafting Disciplinary Histories; PART II A Geographical Turn? Placing Production, Producing Sites; 3 Producing Sites: Michael Landy's Break Down; 4 Framing the World: Portraits of Place and Richard Wentworth's Urban Imaginary.
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|a 5 insites: On Residency and CollaborationPART III Remapping Bodies: Substances, Senses, Spaces, and Encounters; 6 The Argument of the Eye: Installation Art and the "Experience of Experience"; 7 Points of Contact: The Geographies of Ana Mendieta's Earth-Body Works; By Way of Conclusion: Towards an Analytic Framework; Notes; Bibliography; Index.
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|a This book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other cr.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Art and geography.
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|a Geographical perception.
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|a Art and design.
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|a Visual perception.
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|a Visual Perception
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|a Art and design.
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|a Art and geography.
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|a Geographical perception.
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|a Visual perception.
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|a Art et géographie.
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|a Perception géographique.
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|a Art et design.
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|a Perception visuelle.
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|a visual perception.
|2 aat
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|a Art and design
|2 fast
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|a Art and geography
|2 fast
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|a Geographical perception
|2 fast
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|a Visual perception
|2 fast
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|i has work:
|a For creative geographies (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGprfjDGy7Wrpd3TbVhkfy
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a Hawkins, Harriet.
|t For Creative Geographies: Geography, Visual Arts and the Making of Worlds.
|d Hoboken : Taylor and Francis, ©2013
|z 9780415636254
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830 |
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|a Routledge advances in geography.
|
856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1461198
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL1461198
|
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|a YBP Library Services
|b YANK
|n 11227327
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